Poem of the Day

The Alice Cary poem I posted previously was not overly cheerful (ha!), and in looking for another by her, I see that none of her poems are overly cheerful. Good thing I like the dark stuff.

Make Believe
By Alice Cary

Kiss me, though you make believe;
Kiss me, though I almost know
You are kissing to deceive:
Let the tide one moment flow
Backward ere it rise and break,
Only for poor pity’s sake!

Give me of your flowers one leaf,
Give me of your smiles one smile,
Backward roll this tide of grief
Just a moment, though, the while,
I should feel and almost know
You are trifling with my woe.

Whisper to me sweet and low;
Tell me how you sit and weave
Dreams about me, though I know
It is only make believe!
Just a moment, though ’tis plain
You are jesting with my pain.

As I still have yet to bolster my poetry file with a variety of poems (I’ve recently added quite a few by Naomi Shihab Nye), I’m adopting a new method of finding something to post for the PotD. I’m looking at the archive and finding a poet I’ve only posted one time and hunting down another selection. I dedicate this one to any and all of my friends from the south who claim to have never seen snow.

The Faun Sees Snow for the First Time
By Richard Aldington

Zeus,
Brazen-thunder-hurler,
Cloud-whirler, son-of-Kronos,
Send vengeance on these Oreads
Who strew
White frozen flecks of mist and cloud
Over the brown trees and the tufted grass
Of the meadows, where the stream
Runs black through shining banks
Of bluish white.

Zeus,
Are the halls of heaven broken up
That you flake down upon me
Feather-strips of marble?

Dis and Styx!
When I stamp my hoof
The frozen-cloud-specks jam into the cleft
So that I reel upon two slippery points…

Fool, to stand here cursing
When I might be running!

I went to a baby shower today, and it made me nostalgic for the poems of my youth. Here’s one from A Child’s Garden of Verses.

Foreign Lands
By Robert Louis Stevenson

Up into the cherry tree
Who should climb but little me?
I held the trunk with both my hands
And looked abroad in foreign lands.

I saw the next door garden lie,
Adorned with flowers, before my eye,
And many pleasant places more
That I had never seen before.

I saw the dimpling river pass
And be the sky’s blue looking-glass;
The dusty roads go up and down
With people tramping in to town.

If I could find a higher tree
Farther and farther I should see,
To where the grown-up river slips
Into the sea among the ships,

To where the road on either hand
Lead onward into fairy land,
Where all the children dine at five,
And all the playthings come alive.

Here’s another one suggested by, you guessed it, Nick Hornby in The Complete Polysyllabic Spree.

Marriage
By Gregory Corso

Should I get married? Should I be good?
Astound the girl next door with my velvet suit and faustus hood?
Don’t take her to movies but to cemeteries
tell all about werewolf bathtubs and forked clarinets
then desire her and kiss her and all the preliminaries
and she going just so far and I understanding why
not getting angry saying You must feel! It’s beautiful to feel!
Instead take her in my arms lean against an old crooked tombstone
and woo her the entire night the constellations in the sky—

When she introduces me to her parents
back straightened, hair finally combed, strangled by a tie,
should I sit with my knees together on their 3rd degree sofa
and not ask Where’s the bathroom?
How else to feel other than I am,
often thinking Flash Gordon soap—
O how terrible it must be for a young man
seated before a family and the family thinking
We never saw him before! He wants our Mary Lou!
After tea and homemade cookies they ask What do you do for a living?

Should I tell them? Would they like me then?
Say All right get married, we’re losing a daughter
but we’re gaining a son—
And should I then ask Where’s the bathroom?

O God, and the wedding! All her family and her friends
and only a handful of mine all scroungy and bearded
just wait to get at the drinks and food—
And the priest! he looking at me as if I masturbated
asking me Do you take this woman for your lawful wedded wife?
And I trembling what to say say Pie Glue!
I kiss the bride all those corny men slapping me on the back
She’s all yours, boy! Ha-ha-ha!
And in their eyes you could see some obscene honeymoon going on—
Then all that absurd rice and clanky cans and shoes
Niagara Falls! Hordes of us! Husbands! Wives! Flowers! Chocolates!
All streaming into cozy hotels
All going to do the same thing tonight
The indifferent clerk he knowing what was going to happen
The lobby zombies they knowing what
The whistling elevator man he knowing
Everybody knowing! I’d almost be inclined not to do anything!
Stay up all night! Stare that hotel clerk in the eye!
Screaming: I deny honeymoon! I deny honeymoon!
running rampant into those almost climactic suites
yelling Radio belly! Cat shovel!
O I’d live in Niagara forever! in a dark cave beneath the Falls
I’d sit there the Mad Honeymooner
devising ways to break marriages, a scourge of bigamy
a saint of divorce—

But I should get married I should be good
How nice it’d be to come home to her
and sit by the fireplace and she in the kitchen
aproned young and lovely wanting my baby
and so happy about me she burns the roast beef
and comes crying to me and I get up from my big papa chair
saying Christmas teeth! Radiant brains! Apple deaf!
God what a husband I’d make! Yes, I should get married!
So much to do! Like sneaking into Mr Jones’ house late at night
and cover his golf clubs with 1920 Norwegian books
Like hanging a picture of Rimbaud on the lawnmower
like pasting Tannu Tuva postage stamps all over the picket fence
like when Mrs Kindhead comes to collect for the Community Chest
grab her and tell her There are unfavorable omens in the sky!
And when the mayor comes to get my vote tell him
When are you going to stop people killing whales!
And when the milkman comes leave him a note in the bottle
Penguin dust, bring me penguin dust, I want penguin dust—

Yet if I should get married and it’s Connecticut and snow
and she gives birth to a child and I am sleepless, worn,
up for nights, head bowed against a quiet window, the past behind me,
finding myself in the most common of situations a trembling man
knowledged with responsibility not twig-smear nor Roman coin soup—
O what would that be like!
Surely I’d give it for a nipple a rubber Tacitus
For a rattle a bag of broken Bach records
Tack Della Francesca all over its crib
Sew the Greek alphabet on its bib
And build for its playpen a roofless Parthenon

No, I doubt I’d be that kind of father
Not rural not snow no quiet window
but hot smelly tight New York City
seven flights up, roaches and rats in the walls
a fat Reichian wife screeching over potatoes Get a job!
And five nose running brats in love with Batman
And the neighbors all toothless and dry haired
like those hag masses of the 18th century
all wanting to come in and watch TV
The landlord wants his rent
Grocery store Blue Cross Gas & Electric Knights of Columbus
impossible to lie back and dream Telephone snow, ghost parking—
No! I should not get married! I should never get married!
But—imagine if I were married to a beautiful sophisticated woman
tall and pale wearing an elegant black dress and long black gloves
holding a cigarette holder in one hand and a highball in the other
and we lived high up in a penthouse with a huge window
from which we could see all of New York and even farther on clearer days
No, can’t imagine myself married to that pleasant prison dream—

O but what about love? I forget love
not that I am incapable of love
It’s just that I see love as odd as wearing shoes—
I never wanted to marry a girl who was like my mother
And Ingrid Bergman was always impossible
And there’s maybe a girl now but she’s already married
And I don’t like men and—
But there’s got to be somebody!
Because what if I’m 60 years old and not married,
all alone in a furnished room with pee stains on my underwear
and everybody else is married! All the universe married but me!

Ah, yet well I know that were a woman possible as I am possible
then marriage would be possible—
Like SHE in her lonely alien gaud waiting her Egyptian lover
so i wait—bereft of 2,000 years and the bath of life.

This poem was mentioned specifically by Nick Hornby in The Complete Polysyllabic Spree. I really like it, even though I find the sentiment “wondering, too,/When churches fall completely out of use/What we shall turn them into” to be very sad.

Church Going
By Philip Larkin

Once I am sure there’s nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence,
Move forward, run my hand around the font.
From where I stand, the roof looks almost new—
Cleaned or restored? Someone would know: I don’t.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
“Here endeth” much more loudly than I’d meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate, and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,

A shape less recognizable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,

Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation—marriage, and birth,
And death, and thoughts of these—for whom was built
This special shell? For, though I’ve no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognised, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.

Nick Hornby also read Robert Lowell’s poems and talked about them in The Complete Polysyllabic Spree. My cousin brought a book of Lowell’s poems to Thanksgiving, but somehow I’ve never posted anything by him.

Epilogue
By Robert Lowell

Those blessèd structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?
I hear the noise of my own voice:
The painter’s vision is not a lens,
it trembles to caress the light.
But sometimes everything I write
with the threadbare art of my eye
seems a snapshot,
lurid, rapid, garish, grouped,
heightened from life,
yet paralyzed by fact.
All’s misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun’s illumination
stealing like the tide across a map
to his girl solid with yearning.
We are poor passing facts,
warned by that to give
each figure in the photograph
his living name.

Somehow Shakespeare didn’t make it into my PotD: U.K. Edition, and I even went to the Globe Theatre. So here’s a (somewhat belated) sonnet from Old Will.

They that have power to hurt and will do none
By William Shakespeare

They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmoved, cold, and to temptation slow;
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die,
But if that flower with base infection meet,
The basest weed outbraves his dignity:
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.

I recently read The Complete Polysyllabic Spree by Nick Hornby. I got all sorts of book and poetry recommendations from it. Tony Hoagland was one of the poets he liked, so I thought I’d give him a try. This poem reminds me of another one that I really like.

Grammar
By Tony Hoagland

Maxine, back from a weekend with her boyfriend,
smiles like a big cat and says
that she’s a conjugated verb.
She’s been doing the direct object
with a second person pronoun named Phil,
and when she walks into the room,
everybody turns:

some kind of light is coming from her head.
Even the geraniums look curious,
and the bees, if they were here, would buzz
suspiciously around her hair, looking
for the door in her corona.
We’re all attracted to the perfume
of fermenting joy,

we’ve all tried to start a fire,
and one day maybe it will blaze up on its own.
In the meantime, she is the one today among us
most able to bear the idea of her own beauty,
and when we see it, what we do is natural:
we take our burned hands
out of our pockets,
and clap.

Amy Lowell can be so deliciously bitter!

Vintage
By Amy Lowell

I will mix me a drink of stars,—
Large stars with polychrome needles,
Small stars jetting maroon and crimson,
Cool, quiet, green stars.
I will tear them out of the sky,
And squeeze them over an old silver cup,
And I will pour the cold scorn of my Beloved into it,
So that my drink shall be bubbled with ice.

It will lap and scratch
As I swallow it down;
And I shall feel it as a serpent of fire,
Coiling and twisting in my belly.
His snortings will rise to my head,
And I shall be hot, and laugh,
Forgetting that I have ever known a woman.

I fell in love with this poem the first time I read it. Apparently, so did Margo Hennebach. Mary Oliver’s influence is far-reaching!

Wild Geese
By Mary Oliver

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting—
over and over announcing your place
in the family of things.

I’ve been reading some of Margaret Atwood’s poetry lately.

The Loneliness of the Military Historian
By Margaret Atwood

Confess: it’s my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don’t go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser’s:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.

In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or, having been raped repeatedly,
hang themselves with their own hair.
These are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons, lovers, and so forth.
All the killed children.

Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don’t ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.

In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
They come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse’s neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.

Despite the propaganda, there are no monsters,
or none that can be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right—
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It’s no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.

In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men’s bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I’m just as human as you.

But it’s no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.

Here’s another poem by Robert Frost, for which I snagged the audio here. You can listen to the author reading this poem here. This is for Ryan, who really likes Robert Frost.

One Step Backward Taken
By Robert Frost

Not only sands and gravels
Were once more on their travels,
But gulping muddy gallons
Great boulders off their balance
Bumped heads together dully
And started down the gully.
Whole capes caked off in slices.
I felt my standpoint shaken
In the universal crisis.
But with one step backward taken
I saved myself from going.
A world torn loose went by me.
Then the rain stopped and the blowing,
And the sun came out to dry me.

Here’s another one from Lorca, courtesy of a good friend.

The Poet Asks His Love to Write Him
By Federico García Lorca

O love of my heart, living death,
in vain I await your written word,
and think, with the withered flower: if I
must live without myself, I wish to lose you.

Air is immortal. The lifeless stone
can neither know the shadow nor avoid it.
And the inner heart doesn’t need
the frozen honey flowing from the moon.

But I suffered you, tore open my veins,
tiger and dove on your waist,
caught in a duel of lilies and bites.

Fill, then, with words my madness,
or let me live in the serene,
eternal dark night of the soul.

I always find Naomi Shihab Nye comforting.

My Grandmother in the Stars
By Naomi Shihab Nye

It is possible we will not meet again
on earth. To think this fills my throat
with dust. Then there is only the sky
tying the universe together.

Just now the neighbor’s horse must be standing
patiently, hoof on stone, waiting for his day
to open. What you think of him,
and the village’s one heroic cow
is the knowledge I wish to gather.
I bow to your rugged feet,
the moth-eaten scarves that knot your hair.

Where we live in the world
is never one place. Our hearts,
those dogged mirrors, keep flashing us
moons before we are ready for them.
You and I on a roof at sunset,
our two languages adrift,
heart saying, Take this home with you,
never again,
and only memory making us rich.

Adrienne Rich is just awesome!

Orion
By Adrienne Rich

Far back when I went zig-zagging
through tamarack pastures
you were my genius, you
my cast-iron Viking, my helmed
lion-heart king in prison.
Years later now you’re young

my fierce half-brother, staring
down from that simplified west
your breast open, your belt dragged down
by an oldfashioned thing, a sword
the last bravado you won’t give over
though it weighs you down as you stride

and the stars in it are dim
and maybe have stopped burning.
But you burn, and I know it;
as I throw back my head to take you in
and old transfusion happens again:
divine astronomy is nothing to it.

Indoors I bruise and blunder
break faith, leave ill enough
alone, a dead child born in the dark.
Night cracks up over the chimney,
pieces of time, frozen geodes
come showering down in the grate.

A man reaches behind my eyes
and finds them empty
a woman’s head turns away
from my head in the mirror
children are dying my death
and eating crumbs of my life.

Pity is not your forte.
Calmly you ache up there
pinned aloft in your crow’s nest,
my speechless pirate!
You take it all for granted
and when I look you back

it’s with a starlike eye
shooting its cold and egotistical spear
where it can do least damage.
Breath deep! No hurt, no pardon
out here in the cold with you
you with your back to the wall.

I totally understand the sentiment of this poem and often wish my rational self could beat down my emotional self.

The Philosopher
By Edna St. Vincent Millay

And what are you that, wanting you,
I should be kept awake
As many nights as there are days
With weeping for your sake?

And what are you that, missing you,
As many days as crawl
I should be listening to the wind
And looking at the wall?

I know a man that’s a braver man
And twenty men as kind,
And what are you, that you should be
The one man in my mind?

Yet women’s ways are witless ways,
As any sage will tell,—
And what am I, that I should love
So wisely and so well?

As I saw Loreena McKennitt in London (YAY!), and she adapted this poem to a song (Lullaby), I thought I’d post it.

Prologue, Intended for a Dramatic Piece of King Edward the Fourth
By William Blake

O for a voice like thunder, and a tongue
To drown the throat of war! When the senses
Are shaken, and the soul is driven to madness,
Who can stand? When the souls of the oppressèd
Fight in the troubled air that rages, who can stand?
When the whirlwind of fury comes from the
Throne of God, when the frowns of his countenance
Drive the nations together, who can stand?
When Sin claps his broad wings over the battle,
And sails rejoicing in the flood of Death;
When souls are torn to everlasting fire,
And fiends of Hell rejoice upon the slain,
O who can stand? O who hath causèd this?
O who can answer at the throne of God?
The Kings and Nobles of the Land have done it!
Hear it not, Heaven, thy Ministers have done it!

Here’s a nice long one quoted in Alias Grace to keep you busy. Happy Friday!

Childe Roland to the Dark Tower Came
By Robert Browning

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.

What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch ‘gin write my epitaph
For pastime in the dusty thoroughfare,

If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed: neither pride
Nor hope rekindling at the end descried,
So much as gladness that some end might be.

For, what with my whole world-wide wandering,
What with my search drawn out thro’ years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.

As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bid the other go, draw breath
Freelier outside, (”since all is o’er,” he saith,
“And the blow falIen no grieving can amend;”)

While some discuss if near the other graves
Be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves:
And still the man hears all, and only craves
He may not shame such tender love and stay.

Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among “The Band”—to wit,
The knights who to the Dark Tower’s search addressed
Their steps—that just to fail as they, seemed best,
And all the doubt was now—should I be fit?

So, quiet as despair, I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.

For mark! no sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backward a last view
O’er the safe road, ’twas gone; grey plain all round:
Nothing but plain to the horizon’s bound.
I might go on; nought else remained to do.

So, on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers—as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind, with none to awe,
You’d think; a burr had been a treasure-trove.

No! penury, inertness and grimace,
“In some strange sort, were the land’s portion. “See
Or shut your eyes,” said nature peevishly,
“It nothing skills: I cannot help my case:
‘Tis the Last judgment’s fire must cure this place,
Calcine its clods and set my prisoners free.”

If there pushed any ragged thistle-stalk
Above its mates, the head was chopped; the bents
Were jealous else. What made those holes and rents
In the dock’s harsh swarth leaves, bruised as to baulk
All hope of greenness? ‘T is a brute must walk
Pashing their life out, with a brute’s intents.

As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupefied, however he came there:
Thrust out past service from the devil’s stud!

Alive? he might be dead for aught I know,
With that red gaunt and colloped neck a-strain,
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.

I shut my eyes and turned them on my heart.
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards—the soldier’s art:
One taste of the old time sets all to rights.

Not it! I fancied Cuthbert’s reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm in mine to fix me to the place,
That way he used. Alas, one night’s disgrace!
Out went my heart’s new fire and left it cold.

Giles then, the soul of honour—there he stands
Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good—but the scene shifts—faugh! what hangman hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!

Better this present than a past like that;
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.

A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend’s glowing hoof—to see the wrath
Of its black eddy bespate with flakes and spumes.

So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of route despair, a suicidal throng:
The river which had done them all the wrong,
Whate’er that was, rolled by, deterred no whit.

Which, while I forded,—good saints, how I feared
To set my foot upon a dead man’s cheek,
Each step, or feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
—It may have been a water-rat I speared,
But, ugh! it sounded like a baby’s shriek.

Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
Soil to a plash? Toads in a poisoned tank,
Or wild cats in a red-hot iron cage—

The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose?
No foot-print leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.

And more than that—a furlong on—why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel—that harrow fit to reel
Men’s bodies out like silk? with all the air
Of Tophet’s tool, on earth left unaware,
Or brought to sharpen its rusty teeth of steel.

Then came a bit of stubbed ground, once a wood,
Next a marsh, it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood—
Bog, clay and rubble, sand and stark black dearth.

Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil’s
Broke into moss or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.

And just as far as ever from the end!
Nought in the distance but the evening, nought
To point my footstep further! At the thought,
great black bird, Apollyon’s bosom-friend,
Sailed past, nor beat his wide wing dragon-penned
That brushed my cap—perchance the guide I sought.

For, looking up, aware I somehow grew,
‘Spite of the dusk, the plain had given place
All round to mountains—with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me,—solve it, you!
How to get from them was no clearer case.

Yet half I seemed to recognize some trick
Of mischief happened to me, God knows when—
In a bad dream perhaps. Here ended, then,
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts—you’re inside the den!

Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left, a tall scalped mountain… Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!

What in the midst lay but the Tower itself?
The round squat turret, blind as the fool’s heart,
Built of brown stone, without a counter-part
In the whole world. The tempest’s mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.

Not see? because of night perhaps?—why, day
Came back again for that! before it left,
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay,—
“Now stab and end the creature—to the heft!”

Not hear? when noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers my peers,—
How such a one was strong, and such was bold,
And such was fortunate, yet, each of old
Lost, lost! one moment knelled the woe of years.

There they stood, ranged along the hill-sides, met
To view the last of me, a living frame
For one more picture! in a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. “Childe Roland to the Dark Tower came.”

I still have a few from Alias Grace to post, so here’s another one.

The Poems of Our Climate
By Wallace Stevens

I

Clear water in a brilliant bowl,
Pink and white carnations. The light
In the room more like a snowy air,
Reflecting snow. A newly-fallen snow
At the end of winter when afternoons return.
Pink and white carnations—one desires
So much more than that. The day itself
Is simplified: a bowl of white,
Cold, a cold porcelain, low and round,
With nothing more than the carnations there.

II

Say even that this complete simplicity
Stripped one of all one’s torments, concealed
The evilly compounded, vital I
And made it fresh in a world of white,
A world of clear water, brilliant-edged,
Still one would want more, one would need more,
More than a world of white and snowy scents.

III

There would still remain the never-resting mind,
So that one would want to escape, come back
To what had been so long composed.
The imperfect is our paradise.
Note that, in this bitterness, delight,
Since the imperfect is so hot in us,
Lies in flawed words and stubborn sounds.

I got back from England last night, but apparently the jet lag was too much for me to get my act together and post a poem until today. Here’s one quoted in Alias Grace.

My letters! all dead paper, mute and white!
By Elizabeth Barrett Browning

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand… a simple thing,
Yet I wept for it!—this… the paper’s light…
Said, Dear I love thee; and I sank and quailed
As if God’s future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this… O Love, thy words have ill availed
If, what this said, I dared repeat at last!

I love the tone of this poem.

The Sun Rising
By John Donne

Busy old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on us?
Must to thy motions lovers’ seasons run?
Saucy pedantic wretch, go chide
Late schoolboys, and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices,
Love, all alike, no season knows, nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams, so reverend and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long:
If her eyes have not blinded thine,
Look, and tomorrow late, tell me
Whether both th’ Indias of spice and mine
Be where thou leftst them, or lie here with me.
Ask for those kings whom thou saw’st yesterday,
And thou shalt hear: “All here in one bed lay.”

She is all states, and all princes I,
Nothing else is.
Princes do but play us; compar’d to this,
All honour’s mimic, all wealth alchemy.
Thou, sun, art half as happy ’s we,
In that the world’s contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere;
This bed thy centre is, these walls, thy sphere.

Happy Easter!

Crown Him with Many Crowns
By Matthew Bridges and Godfrey Thring

Crown Him with many crowns, the Lamb upon His throne.
Hark! How the heavenly anthem drowns all music but its own.
Awake, my soul, and sing of Him who died for thee,
And hail Him as thy matchless King through all eternity.

Crown Him the virgin’s Son, the God incarnate born,
Whose arm those crimson trophies won which now His brow adorn;
Fruit of the mystic rose, as of that rose the stem;
The root whence mercy ever flows, the Babe of Bethlehem.

Crown Him the Son of God, before the worlds began,
And ye who tread where He hath trod, crown Him the Son of Man;
Who every grief hath known that wrings the human breast,
And takes and bears them for His own, that all in Him may rest.

Crown Him the Lord of life, who triumphed over the grave,
And rose victorious in the strife for those He came to save.
His glories now we sing, Who died, and rose on high,
Who died eternal life to bring, and lives that death may die.

Crown Him the Lord of peace, Whose power a scepter sways
From pole to pole, that wars may cease, and all be prayer and praise.
His reign shall know no end, and round His piercèd feet
Fair flowers of paradise extend their fragrance ever sweet.

Crown Him the Lord of love, behold His hands and side,
Those wounds, yet visible above, in beauty glorified.
No angel in the sky can fully bear that sight,
But downward bends his burning eye at mysteries so bright.

Crown Him the Lord of Heaven, enthroned in worlds above,
Crown Him the King to Whom is given the wondrous name of Love.
Crown Him with many crowns, as thrones before Him fall;
Crown Him, ye kings, with many crowns, for He is King of all.

Crown Him the Lord of lords, who over all doth reign,
Who once on earth, the incarnate Word, for ransomed sinners slain,
Now lives in realms of light, where saints with angels sing
Their songs before Him day and night, their God, Redeemer, King.

Crown Him the Lord of years, the Potentate of time,
Creator of the rolling spheres, ineffably sublime.
All hail, Redeemer, hail! For Thou has died for me;
Thy praise and glory shall not fail throughout eternity.

I had to include one from dear Percy!

Remorse
By Percy Bysshe Shelley

Away! the moor is dark beneath the moon,
Rapid clouds have drunk the last pale beam of even:
Away! the gathering winds will call the darkness soon,
And profoundest midnight shroud the serene lights of heaven.
Pause not! the time is past! Every voice cries ‘Away!’
Tempt not with one last tear thy friend’s ungentle mood:
Thy lover’s eye, so glazed and cold, dares not entreat thy stay:
Duty and dereliction guide thee back to solitude.

Away, away! to thy sad and silent home;
Pour bitter tears on its desolated hearth;
Watch the dim shades as like ghosts they go and come,
And complicate strange webs of melancholy mirth.
The leaves of wasted autumn woods shall float around thine head,
The blooms of dewy Spring shall gleam beneath thy feet:
But thy soul or this world must fade in the frost that binds the dead,
Ere midnight’s frown and morning’s smile, ere thou and peace, may meet.

The cloud shadows of midnight possess their own repose,
For the weary winds are silent, or the moon is in the deep;
Some respite to its turbulence unresting ocean knows;
Whatever moves or toils or grieves hath its appointed sleep.
Thou in the grave shall rest:—yet, till the phantoms flee,
Which that house and heath and garden made dear to thee erewhile,
Thy remembrance and repentance and deep musings are not free
From the music of two voices, and the light of one sweet smile.

I’ve run out of British poets quoted in Alias Grace, so we’ll revisit the rest when I’m back home.

Prometheus
By George Gordon, Lord Byron

Titan! to whose immortal eyes
The sufferings of mortality,
Seen in their sad reality,
Were not as things that gods despise;
What was thy pity’s recompense?
A silent suffering, and intense;
The rock, the vulture, and the chain,
All that the proud can feel of pain,
The agony they do not show,
The suffocating sense of woe,
Which speaks but in its loneliness,
And then is jealous lest the sky
Should have a listener, nor will sigh
Until its voice is echoless.

Titan! to thee the strife was given
Between the suffering and the will,
Which torture where they cannot kill;
And the inexorable Heaven,
And the deaf tyranny of Fate,
The ruling principle of Hate,
Which for its pleasure doth create
The things it may annihilate,
Refus’d thee even the boon to die:
The wretched gift Eternity
Was thine–and thou hast borne it well.
All that the Thunderer wrung from thee
Was but the menace which flung back
On him the torments of thy rack;
The fate thou didst so well foresee,
But would not to appease him tell;
And in thy Silence was his Sentence,
And in his Soul a vain repentance,
And evil dread so ill dissembled,
That in his hand the lightnings trembled.

Thy Godlike crime was to be kind,
To render with thy precepts less
The sum of human wretchedness,
And strengthen Man with his own mind;
But baffled as thou wert from high,
Still in thy patient energy,
In the endurance, and repulse
Of thine impenetrable Spirit,
Which Earth and Heaven could not convulse,
A mighty lesson we inherit:
Thou art a symbol and a sign
To Mortals of their fate and force;
Like thee, Man is in part divine,
A troubled stream from a pure source;
And Man in portions can foresee
His own funereal destiny;
His wretchedness, and his resistance,
And his sad unallied existence:
To which his Spirit may oppose
Itself–and equal to all woes,
And a firm will, and a deep sense,
Which even in torture can descry
Its own concenter’d recompense,
Triumphant where it dares defy,
And making Death a Victory.

Another quoted in Alias Grace…

Remember
By Christina Rossetti

Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more, day by day,
You tell me of our future that you plann’d:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.

I haven’t posted any poems by my dear Brontës in quite a while. I was reminded by an excerpt from this one in Alias Grace.

The Prisoner
By Emily Brontë

A FRAGMENT

In the dungeon-crypts idly did I stray,
Reckless of the lives wasting there away;
“Draw the ponderous bars! open, Warder stern!”
He dared not say me nay—the hinges harshly turn.

“Our guests are darkly lodged,” I whisper’d, gazing through
The vault, whose grated eye showed heaven more gray than blue;
(This was when glad Spring laughed in awaking pride;)
“Ay, darkly lodged enough!” returned my sullen guide.

Then, God forgive my youth; forgive my careless tongue;
I scoffed, as the chill chains on the damp flagstones rung:
“Confined in triple walls, art thou so much to fear,
That we must bind thee down and clench thy fetters here?”

The captive raised her face; it was as soft and mild
As sculptured marble saint, or slumbering unwean’d child;
It was so soft and mild, it was so sweet and fair,
Pain could not trace a line, nor grief a shadow there!

The captive raised her hand and pressed it to her brow;
“I have been struck,” she said, “and I am suffering now;
Yet these are little worth, your bolts and irons strong;
And, were they forged in steel, they could not hold me long.”

Hoarse laughed the jailor grim: “Shall I be won to hear;
Dost think, fond, dreaming wretch, that I shall grant thy prayer?
Or, better still, wilt melt my master’s heart with groans?
Ah! sooner might the sun thaw down these granite stones.

“My master’s voice is low, his aspect bland and kind,
But hard as hardest flint the soul that lurks behind;
And I am rough and rude, yet not more rough to see
Than is the hidden ghost that has its home in me.”

About her lips there played a smile of almost scorn,
“My friend,” she gently said, “you have not heard me mourn;
When you my kindred’s lives, MY lost life, can restore,
Then may I weep and sue,—but never, friend, before!

“Still, let my tyrants know, I am not doomed to wear
Year after year in gloom, and desolate despair;
A messenger of Hope comes every night to me,
And offers for short life, eternal liberty.

“He comes with western winds, with evening’s wandering airs,
With that clear dusk of heaven that brings the thickest stars.
Winds take a pensive tone, and stars a tender fire,
And visions rise, and change, that kill me with desire.

“Desire for nothing known in my maturer years,
When Joy grew mad with awe, at counting future tears.
When, if my spirit’s sky was full of flashes warm,
I knew not whence they came, from sun or thunder-storm.

“But, first, a hush of peace—a soundless calm descends;
The struggle of distress, and fierce impatience ends;
Mute music soothes my breast—unuttered harmony,
That I could never dream, till Earth was lost to me.

“Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels:
Its wings are almost free—its home, its harbour found,
Measuring the gulph, it stoops and dares the final bound,

“Oh I dreadful is the check—intense the agony—
When the ear begins to hear, and the eye begins to see;
When the pulse begins to throb, the brain to think again;
The soul to feel the flesh, and the flesh to feel the chain.

“Yet I would lose no sting, would wish no torture less;
The more that anguish racks, the earlier it will bless;
And robed in fires of hell, or bright with heavenly shine,
If it but herald death, the vision is divine!”

She ceased to speak, and we, unanswering, turned to go—
We had no further power to work the captive woe:
Her cheek, her gleaming eye, declared that man had given
A sentence, unapproved, and overruled by Heaven.

Here’s another selection from a splendid British poet, also quoted in Alias Grace.

Maud
By Alfred, Lord Tennyson

Come into the garden, Maud,
   For the black bat, Night, has flown,
Come into the garden, Maud,
   I am here at the gate alone;
And the woodbine spices are wafted abroad,
   And the musk of the roses blown.

For a breeze of morning moves,
   And the planet of Love is on high,
Beginning to faint in the light that she loves
   On a bed of daffodil sky,
To faint in the light of the sun she loves,
   To faint in his light, and to die.

All night have the roses heard
   The flute, violin, bassoon;
All night has the casement jessamine stirr’d
   To the dancers dancing in tune;
Till a silence fell with the waking bird,
   And a hush with the setting moon.

I said to the lily, ‘There is but one
   With whom she has heart to be gay.
When will the dancers leave her alone?
   She is weary of dance and play.’
Now half to the setting moon are gone,
   And half to the rising day;
Low on the sand and loud on the stone
   The last wheel echoes away.

I said to the rose, ‘The brief night goes
   In babble and revel and wine.
O young lord-lover, what sighs are those
   For one that will never be thine?
But mine, but mine,’ so I sware to the rose,
   ’For ever and ever, mine.’

And the soul of the rose went into my blood,
   As the music clash’d in the hall;
And long by the garden lake I stood,
   For I heard your rivulet fall
From the lake to the meadow and on to the wood,
   Our wood, that is dearer than all;

From the meadow your walks have left so sweet
   That whenever a March-wind sighs
He sets the jewel-print of your feet
   In violets blue as your eyes,
To the woody hollows in which we meet
   And the valleys of Paradise.

The slender acacia would not shake
   One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
   As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
   Knowing your promise to me;
The lilies and roses were all awake,
   They sigh’d for the dawn and thee.

Queen rose of the rosebud garden of girls,
   Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
   Queen lily and rose in one;
Shine out, little head, sunning over with curls.
   To the flowers, and be their sun.

There has fallen a splendid tear
   From the passion-flower at the gate.
She is coming, my dove, my dear;
   She is coming, my life, my fate;
The red rose cries, ‘She is near, she is near;’
   And the white rose weeps, ‘She is late;’
The larkspur listens, ‘I hear, I hear;’
   And the lily whispers, ‘I wait.’

She is coming, my own, my sweet;
   Were it ever so airy a tread,
My heart would hear her and beat,
   Were it earth in an earthy bed;
My dust would hear her and beat,
   Had I lain for a century dead;
Would start and tremble under her feet,
   And blossom in purple and red.

I am currently in merry old England, so I thought I’d post poems by British poets for the duration of my stay. This poem was quoted in Alias Grace.

The Defence of Guenevere
By William Morris

But, knowing now that they would have her speak,
She threw her wet hair backward from her brow,
Her hand close to her mouth touching her cheek,

As though she had had there a shameful blow,
And feeling it shameful to feel ought but shame
All through her heart, yet felt her cheek burned so,

She must a little touch it; like one lame
She walked away from Gauwaine, with her head
Still lifted up; and on her cheek of flame

The tears dried quick; she stopped at last and said:
“O knights and lords, it seems but little skill
To talk of well-known things past now and dead.

“God wot I ought to say, I have done ill,
And pray you all forgiveness heartily!
Because you must be right, such great lords; still

“Listen, suppose your time were come to die,
And you were quite alone and very weak;
Yea, laid a dying while very mightily

“The wind was ruffling up the narrow streak
Of river through your broad lands running well:
Suppose a hush should come, then some one speak:

“‘One of these cloths is heaven, and one is hell,
Now choose one cloth for ever; which they be,
I will not tell you, you must somehow tell

“‘Of your own strength and mightiness; here, see!’
Yea, yea, my lord, and you to ope your eyes,
At foot of your familiar bed to see

“A great God’s angel standing, with such dyes,
Not known on earth, on his great wings, and hands,
Held out two ways, light from the inner skies

“Showing him well, and making his commands
Seem to be God’s commands, moreover, too,
Holding within his hands the cloths on wands;

“And one of these strange choosing cloths was blue,
Wavy and long, and one cut short and red;
No man could tell the better of the two.

“After a shivering half-hour you said:
‘God help! heaven’s colour, the blue;’ and he said, ‘hell.’
Perhaps you then would roll upon your bed,

“And cry to all good men that loved you well,
‘Ah Christ! if only I had known, known, known;’
Launcelot went away, then I could tell,

“Like wisest man how all things would be, moan,
And roll and hurt myself, and long to die,
And yet fear much to die for what was sown.

“Nevertheless you, O Sir Gauwaine, lie,
Whatever may have happened through these years,
God knows I speak truth, saying that you lie.”

Her voice was low at first, being full of tears,
But as it cleared, it grew full loud and shrill,
Growing a windy shriek in all men’s ears,

A ringing in their startled brains, until
She said that Gauwaine lied, then her voice sunk,
And her great eyes began again to fill,

Though still she stood right up, and never shrunk,
But spoke on bravely, glorious lady fair!
Whatever tears her full lips may have drunk,

She stood, and seemed to think, and wrung her hair,
Spoke out at last with no more trace of shame,
With passionate twisting of her body there:

“It chanced upon a day that Launcelot came
To dwell at Arthur’s court: at Christmas-time
This happened; when the heralds sung his name,

“Son of King Ban of Benwick, seemed to chime
Along with all the bells that rang that day,
O’er the white roofs, with little change of rhyme.

“Christmas and whitened winter passed away,
And over me the April sunshine came,
Made very awful with black hail-clouds, yea

“And in the Summer I grew white with flame,
And bowed my head down: Autumn, and the sick
Sure knowledge things would never be the same,

“However often Spring might be most thick
Of blossoms and buds, smote on me, and I grew
Careless of most things, let the clock tick, tick,

“To my unhappy pulse, that beat right through
My eager body; while I laughed out loud,
And let my lips curl up at false or true,

“Seemed cold and shallow without any cloud.
Behold my judges, then the cloths were brought;
While I was dizzied thus, old thoughts would crowd,

“Belonging to the time ere I was bought
By Arthur’s great name and his little love;
Must I give up for ever then, I thought,

“That which I deemed would ever round me move
Glorifying all things; for a little word,
Scarce ever meant at all, must I now prove

“Stone-cold for ever? Pray you, does the Lord
Will that all folks should be quite happy and good?
I love God now a little, if this cord

“Were broken, once for all what striving could
Make me love anything in earth or heaven?
So day by day it grew, as if one should

“Slip slowly down some path worn smooth and even,
Down to a cool sea on a summer day;
Yet still in slipping there was some small leaven

“Of stretched hands catching small stones by the way,
Until one surely reached the sea at last,
And felt strange new joy as the worn head lay

“Back, with the hair like sea-weed; yea all past
Sweat of the forehead, dryness of the lips,
Washed utterly out by the dear waves o’ercast,

“In the lone sea, far off from any ships!
Do I not know now of a day in Spring?
No minute of the wild day ever slips

“From out my memory; I hear thrushes sing,
And wheresoever I may be, straightway
Thoughts of it all come up with most fresh sting:

“I was half mad with beauty on that day,
And went without my ladies all alone,
In a quiet garden walled round every way;

“I was right joyful of that wall of stone,
That shut the flowers and trees up with the sky,
And trebled all the beauty: to the bone,

“Yea right through to my heart, grown very shy
With weary thoughts, it pierced, and made me glad;
Exceedingly glad, and I knew verily,

“A little thing just then had made me mad;
I dared not think, as I was wont to do,
Sometimes, upon my beauty; if I had

“Held out my long hand up against the blue,
And, looking on the tenderly darken’d fingers,
Thought that by rights one ought to see quite through,

“There, see you, where the soft still light yet lingers,
Round by the edges; what should I have done,
If this had joined with yellow spotted singers,

“And startling green drawn upward by the sun?
But shouting, loosed out, see now! all my hair,
And trancedly stood watching the west wind run

“With faintest half-heard breathing sound: why there
I lose my head e’en now in doing this;
But shortly listen: In that garden fair

“Came Launcelot walking; this is true, the kiss
Wherewith we kissed in meeting that spring day,
I scarce dare talk of the remember’d bliss,

“When both our mouths went wandering in one way,
And aching sorely, met among the leaves;
Our hands being left behind strained far away.

“Never within a yard of my bright sleeves
Had Launcelot come before: and now so nigh!
After that day why is it Guenevere grieves?

“Nevertheless you, O Sir Gauwaine, lie,
Whatever happened on through all those years,
God knows I speak truth, saying that you lie.

“Being such a lady could I weep these tears
If this were true? A great queen such as I
Having sinn’d this way, straight her conscience sears;

“And afterwards she liveth hatefully,
Slaying and poisoning, certes never weeps:
Gauwaine be friends now, speak me lovingly.

“Do I not see how God’s dear pity creeps
All through your frame, and trembles in your mouth?
Remember in what grave your mother sleeps,

“Buried in some place far down in the south,
Men are forgetting as I speak to you;
By her head sever’d in that awful drouth

“Of pity that drew Agravaine’s fell blow,
I pray you pity! let me not scream out
For ever after, when the shrill winds blow

“Through half your castle-locks! let me not shout
For ever after in the winter night
When you ride out alone! in battle-rout

“Let not my rusting tears make your sword light!
Ah! God of mercy, how he turns away!
So, ever must I dress me to the fight,

“So: let God’s justice work! Gauwaine, I say,
See me hew down your proofs: yea all men know
Even as you said how Mellyagraunce one day,

“One bitter day in la Fausse Garde, for so
All good knights held it after, saw:
Yea, sirs, by cursed unknightly outrage; though

“You, Gauwaine, held his word without a flaw,
This Mellyagraunce saw blood upon my bed:
Whose blood then pray you? is there any law

“To make a queen say why some spots of red
Lie on her coverlet? or will you say:
‘Your hands are white, lady, as when you wed,

“‘Where did you bleed?’ and must I stammer out, ‘Nay,
I blush indeed, fair lord, only to rend
My sleeve up to my shoulder, where there lay

“‘A knife-point last night’: so must I defend
The honour of the Lady Guenevere?
Not so, fair lords, even if the world should end

“This very day, and you were judges here
Instead of God. Did you see Mellyagraunce
When Launcelot stood by him? what white fear

“Curdled his blood, and how his teeth did dance,
His side sink in? as my knight cried and said:
‘Slayer of unarm’d men, here is a chance!

“‘Setter of traps, I pray you guard your head,
By God I am so glad to fight with you,
Stripper of ladies, that my hand feels lead

“‘For driving weight; hurrah now! draw and do,
For all my wounds are moving in my breast,
And I am getting mad with waiting so.’

“He struck his hands together o’er the beast,
Who fell down flat, and grovell’d at his feet,
And groan’d at being slain so young: ‘At least,’

“My knight said, ‘rise you, sir, who are so fleet
At catching ladies, half-arm’d will I fight,
My left side all uncovered!’ then I weet,

“Up sprang Sir Mellyagraunce with great delight
Upon his knave’s face; not until just then
Did I quite hate him, as I saw my knight

“Along the lists look to my stake and pen
With such a joyous smile, it made me sigh
From agony beneath my waist-chain, when

“The fight began, and to me they drew nigh;
Ever Sir Launcelot kept him on the right,
And traversed warily, and ever high

“And fast leapt caitiff’s sword, until my knight
Sudden threw up his sword to his left hand,
Caught it, and swung it; that was all the fight,

“Except a spout of blood on the hot land;
For it was hottest summer; and I know
I wonder’d how the fire, while I should stand,

“And burn, against the heat, would quiver so,
Yards above my head; thus these matters went;
Which things were only warnings of the woe

“That fell on me. Yet Mellyagraunce was shent,
For Mellyagraunce had fought against the Lord;
Therefore, my lords, take heed lest you be blent

“With all this wickedness; say no rash word
Against me, being so beautiful; my eyes,
Wept all away to grey, may bring some sword

“To drown you in your blood; see my breast rise,
Like waves of purple sea, as here I stand;
And how my arms are moved in wonderful wise,

“Yea also at my full heart’s strong command,
See through my long throat how the words go up
In ripples to my mouth; how in my hand

“The shadow lies like wine within a cup
Of marvellously colour’d gold; yea now
This little wind is rising, look you up,

“And wonder how the light is falling so
Within my moving tresses: will you dare,
When you have looked a little on my brow,

“To say this thing is vile? or will you care
For any plausible lies of cunning woof,
When you can see my face with no lie there

“For ever? am I not a gracious proof:
‘But in your chamber Launcelot was found’:
Is there a good knight then would stand aloof,

“When a queen says with gentle queenly sound:
‘O true as steel come now and talk with me,
I love to see your step upon the ground

“‘Unwavering, also well I love to see
That gracious smile light up your face, and hear
Your wonderful words, that all mean verily

“‘The thing they seem to mean: good friend, so dear
To me in everything, come here to-night,
Or else the hours will pass most dull and drear;

“‘If you come not, I fear this time I might
Get thinking over much of times gone by,
When I was young, and green hope was in sight:

“‘For no man cares now to know why I sigh;
And no man comes to sing me pleasant songs,
Nor any brings me the sweet flowers that lie

“‘So thick in the gardens; therefore one so longs
To see you, Launcelot; that we may be
Like children once again, free from all wrongs

“‘Just for one night.’ Did he not come to me?
What thing could keep true Launcelot away
If I said, ‘Come’? there was one less than three

“In my quiet room that night, and we were gay;
Till sudden I rose up, weak, pale, and sick,
Because a bawling broke our dream up, yea

“I looked at Launcelot’s face and could not speak,
For he looked helpless too, for a little while;
Then I remember how I tried to shriek,

“And could not, but fell down; from tile to tile
The stones they threw up rattled o’er my head
And made me dizzier; till within a while

“My maids were all about me, and my head
On Launcelot’s breast was being soothed away
From its white chattering, until Launcelot said:

“By God! I will not tell you more to-day,
Judge any way you will: what matters it?
You know quite well the story of that fray,

“How Launcelot still’d their bawling, the mad fit
That caught up Gauwaine: all, all, verily,
But just that which would save me; these things flit.

“Nevertheless you, O Sir Gauwaine, lie,
Whatever may have happen’d these long years,
God knows I speak truth, saying that you lie!

“All I have said is truth, by Christ’s dear tears.”
She would not speak another word, but stood
Turn’d sideways; listening, like a man who hears

His brother’s trumpet sounding through the wood
Of his foes’ lances. She lean’d eagerly,
And gave a slight spring sometimes, as she could

At last hear something really; joyfully
Her cheek grew crimson, as the headlong speed
Of the roan charger drew all men to see,
The knight who came was Launcelot at good need.

I recently read Alias Grace by Margaret Atwood. She started off many chapters with excerpts from poems, which always makes me happy!

One need not be a Chamber—to be Haunted—
By Emily Dickinson

One need not be a Chamber—to be Haunted—
One need not be a House—
The Brain has Corridors—surpassing
Material Place—
Far safer, of a Midnight Meeting
External Ghost
Than its interior Confronting—
That Cooler Host.
Far safer, through an Abbey gallop,
The Stones a’chase—
Than Unarmed, one’s a’self encounter—
In lonesome Place—
Ourself behind ourself, concealed—
Should startle most—
Assassin hid in our Apartment
Be Horror’s least.
The Body—borrows a Revolver—
He bolts the Door—
O’erlooking a superior spectre—
Or More—