Archive for 2007

The Pumpkin by John Greenleaf Whittier

I am going out of town for the holiday, so the PotD is on hiatus until I return (sometime over the weekend). Here’s a nice pumpkin poem in honor of Thanksgiving.

The Pumpkin
By John Greenleaf Whittier

Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o’er Nineveh’s prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.

On the banks of the Xenil the dark Spanish maiden
Comes up with the fruit of the tangled vine laden;
And the Creole of Cuba laughs out to behold
Through orange-leaves shining the broad spheres of gold;
Yet with dearer delight from his home in the North,
On the fields of his harvest the Yankee looks forth,
Where crook-necks are coiling and yellow fruit shines,
And the sun of September melts down on his vines.

Ah! on Thanksgiving day, when from East and from West,
From North and from South comes the pilgrim and guest;
When the gray-haired New Englander sees round his board
The old broken links of affection restored;
When the care-wearied man seeks his mother once more,
And the worn matron smiles where the girl smiled before;
What moistens the lip and what brightens the eye,
What calls back the past, like the rich Pumpkin pie?

Oh, fruit loved of boyhood! the old days recalling,
When wood-grapes were purpling and brown nuts were falling!
When wild, ugly faces we carved in its skin,
Glaring out through the dark with a candle within!
When we laughed round the corn-heap, with hearts all in tune,
Our chair a broad pumpkin,—our lantern the moon,
Telling tales of the fairy who travelled like steam
In a pumpkin-shell coach, with two rats for her team!

Then thanks for thy present! none sweeter or better
E’er smoked from an oven or circled a platter!
Fairer hands never wrought at a pastry more fine,
Brighter eyes never watched o’er its baking, than thine!
And the prayer, which my mouth is too full to express,
Swells my heart that thy shadow may never be less,
That the days of thy lot may be lengthened below,
And the fame of thy worth like a pumpkin-vine grow,
And thy life be as sweet, and its last sunset sky
Golden-tinted and fair as thy own Pumpkin pie!

Current Tea: Valentine’s blend (black tea with chocolate and rosebuds)

Sisters by Adrienne Rich

I posted this poem because I have two sisters and love them dearly, even though it really has nothing to do with them.

Sisters
By Adrienne Rich

Can I easily say,
I know you of course now,
no longer the fellow-victim,
reader of my diaries, heir
to my outgrown dresses,
ear for my poems and invectives?
Do I know you better
than that blue-eyed stranger
self-absorbed as myself
raptly knitting or sleeping
through a thirdclass winter journey?
Face to face all night
her dreams and whimpers
tangled with mine,
sleeping but not asleep
behind the engine drilling
into dark Germany,
her eyes, mouth, head
reconstructed by dawn
as we nodded farewell.
Her I should recognize
years later, anywhere.

Current Tea: Diva blend (Ceylon black tea with hints of hazelnut and chocolate)

The Bus to Alliston, Ontario by Margaret Atwood

The book of Margaret Atwood poems I’m currently reading had been put by the wayside, so I pulled it out again. As it’s that time of year when people do a lot of traveling, I thought I’d share this one. The thing I like best about Atwood’s poems are her interesting phrases: “over-furred”, “mundane as knitting”, “rubbed concave with their stiff boots”.

The Bus to Alliston, Ontario
By Margaret Atwood

Snow packs the roadsides, sends dunes
onto the pavement, moves
through vision like a wave or sandstorm.
The bus charges this winter,
a whale or blunt gray
tank, wind whipping its flank.

Inside, we sit wool-
swathed and over-furred, made stodgy
by the heat, our boots
puddling the floor, our Christmas bundles
stuffed around us in the seats, the paper bags
already bursting; we trust

the driver, who is plump and garrulous, familiar
as a neighbor, which he is
to the thirty souls he carries, as
carefully as the time-
table permits; he knows
by experience the fragility of skulls.

Travel is dangerous; nevertheless, we travel.
The talk, as usual,
is of disasters: trainwrecks, fires,
herds of cattle killed in floods,
the malice of weather and tractors,
the clogging of hearts known
and unknown to us, illness and death,
true cases of buses

such as ours, which skid, which hurtle
through snake fences and explode
with no survivors.
The woman talking says she heard
their voices at the crossroad
one night last fall, and not
a drop taken.

The dead ride with us on this bus,
whether we like it or not,
discussing aunts and suicides,
wars and the price of wheat,
fogging the close air, hugging us,
repeating their own deaths through these mouths,
cramped histories, violent
or sad, earthstained, defeated, proud,
the pain in small print, like almanacs,
mundane as knitting.

In the darkness, each distant house
glows and marks time,
is as true in attics
and cellars as in its steaming rich
crackling and butter kitchens.
The former owners, coupled and multiple,
seep through the mottled plaster, sigh
along the stairs they once rubbed concave
with their stiff boots, still envious,
breathe roasts and puddings through the floors;
it’s wise
to set an extra plate.
How else can you live but with the knowledge
of old lives continuing in facing
sepia blood under your feet?

Outside, the moon is fossil
white, the sky cold purple, the stars
steely and hard; when there are trees they are dried
coral; the snow
is an unbroken spacelit
desert through which we make
our ordinary voyage,
those who hear voices and those
who do not, moving together, warm
and for the moment safe,
along the invisible road towards home.

Current Tea: chocolate rum (black tea with chocolate and rum flavoring)

Superhero Pregnant Woman by Jessy Randall

There were three or four pregnant women at a baby shower I attended yesterday, so I have to share this one, courtesy of Ted Kooser.

Superhero Pregnant Woman
By Jessy Randall

Her sense of smell is ten times stronger.
And so her husband smells funny;
she rolls away from him in the bed.
She even smells funny to herself,
but cannot roll away from that.

Why couldn’t she get a more useful superpower?
Like the ability to turn invisible, or fly?

The refrigerator laughs at her from its dark corner,
knowing she will have to open it some time
and surrender to its villainous odors.

That time of year thou mayst in me behold by William Shakespeare

It’s that time of year in Austin when the weather fluctuates from 85F one day to 60F the next. Though we haven’t had the riot of fall coloring on the trees, leaves are falling and there is often a nice breeze. I’ve kind of been saving this poem until it was weather appropriate (for me at least), but I don’t think that will really happen, so here it is now.

That time of year thou mayst in me behold
By William Shakespeare

That time of year thou mayst in me behold,
When yellow leaves, or none, or few do hang
Upon those boughs which shake against the cold,
Bare ruin’d choirs, where late the sweet birds sang.
In me thou see’st the twilight of such day,
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death’s second self that seals up all in rest.
In me thou see’st the glowing of such fire,
That on the ashes of his youth doth lie,
As the death bed whereon it must expire,
Consum’d with that which it was nourish’d by.
   This thou perceiv’st, which makes thy love more strong,
   To love that well which thou must leave ere long.

A Front Row Seat to Hear Ole Johnny Sing by Shel Silverstein

It’s been quite some time since I posted anything by Shel Silverstein. Technically speaking, this is a song, but it’s Shel Silverstein, so I’m letting it slide.

A Front Row Seat to Hear Ole Johnny Sing
By Shel Silverstein

Now you know some fellahs, they want fame and fortune
Yeah, and other fellahs they just wanna swing
But all I wanted all my life
Was a TV set and a truck and a wife
And a front row seat to hear ole Johnny sing.

Yeah the TV and the truck I got on credit.
And I got that girl with a little old Woolworth ring
And life was warm and life was sweet
But still, it was kinda incomplete
Without a front row seat to hear ole Johnny sing.

Hey, John you walk the line,
Do “Delia” one more time
And when you do them Cottonfields
You warm this heart of mine.

So, one day I thought, Hey, I’m gonna do it!
(That’s what I said)
So, I mortgaged the farm and pawned her wedding ring.
I sold the gold tooth out of my mouth
And jumped in the pickup and headed South.
For a front row seat to hear ole Johnny sing.

I hit Nashville cold and wet and hungry.
I said, “I’m here, bring him on let him do his thing.”
But they told me down at the Old Pit Grill
I’d have to go all the way to Andersonville
For a front row seat to hear ole Jonny sing.

I found his house knocked on the door and it was opened
By a brown-haired girl and a baby with a teethin’ ring.
I said “I seen you somewhere before
but don’t stand there and block the door
I want a front row seat to hear ole Johnny sing.”

Hey, John you walk the line,
Do “Delia” one more time
And when you do them Cottonfields
You warm this heart of mine.

She said I’d have to go down to The Opry
And the feller there said I’d have to wait till Spring.
He said, “We’ve been sold out for months and months
And this poor insane fellah wants
A front row seat to hear ole Johnny sing.”

Well, he said a couple more things, and I started cryin’
And then he laughed at me and that’s when I started to swing.
Well I bust through the doors in a roaring rage,
Crawled over the crowd till I reached the stage
For a front row seat to hear ole Johnny sing.

Hey, John you walk the line,
Do “Delia” one more time
And when you do them Cottonfields
You warm this heart of mine.

Then some crazy guard started shootin’
I shot back, and the next thing I know I was winged
and on the floor
When a guy in a voice kinda deep and low
Says, “Boy that’s a mighty long way to go
For a front row seat to hear ANYBODY sing.”

And I guess that judge, he weren’t no music lover.
I got fifteen months but that don’t mean a thing.
Cos’ yesterday in the prison yard
A show come through and HAR! de HAR!
I had a front row seat to hear ole Johnny sing.

Hey, John you walk the line,
Do “Delia” one more time
And when you do them Cottonfields
You warm this heart of mine.

Current Tea: Thai chai (green tea blended with coconut, ginger and lemongrass)

Autumn Daybreak by Edna St. Vincent Millay

This is for my dear Miss Jennifer.

Autumn Daybreak
By Edna St. Vincent Millay

Cold wind of autumn, blowing loud
At dawn, a fortnight overdue,
Jostling the doors, and tearing through
My bedroom to rejoin the cloud,

I know—for I can hear the hiss
And scrape of leaves along the floor—
How may boughs, lashed bare by this,
Will rake the cluttered sky once more.

Tardy, and somewhat south of east,
The sun will rise at length, made known
More by the meagre light increased
Than by a disk in splendour shown;

When, having but to turn my head,
Through the stripped maple I shall see,
Bleak and remembered, patched with red,
The hill all summer hid from me.

Current Tea: Valentine’s blend (black tea with chocolate and rosebuds)

Bacchus by Ralph Waldo Emerson

I realized that I’ve only ever posted one poem by Emerson, which seems odd. Also, someone in my lab said yesterday that he likes to quote Emerson in papers/lab reports/etc., whether the quote is actually from Emerson, or not. (I think he was kidding…)

Bacchus
By Ralph Waldo Emerson

Bring me wine, but wine which never grew
In the belly of the grape,
Or grew on vine whose taproots reaching through
Under the Andes to the Cape,
Suffered no savor of the world to ’scape.
Let its grapes the morn salute
From a nocturnal root
Which feels the acrid juice
Of Styx and Erebus,
And turns the woe of night,
By its own craft, to a more rich delight.

We buy ashes for bread,
We buy diluted wine;
Give me of the true,
Whose ample leaves and tendrils curled
Among the silver hills of heaven,
Draw everlasting dew;
Wine of wine,
Blood of the world,
Form of forms and mould of statures,
That I; intoxicated,
And by the draught assimilated,
May float at pleasure through all natures,
The bird-language rightly spell,
And that which roses say so well.

Wine that is shed
Like the torrents of the sun
Up the horizon walls;
Or like the Atlantic streams which run
When the South Sea calls.

Water and bread;
Food which needs no transmuting,
Rainbow-flowering, wisdom-fruiting;
Wine which is already man,
Food which teach and reason can.

Wine which music is;
Music and wine are one;
That I, drinking this,
Shall hear far chaos talk with me,
Kings unborn shall walk with me,
And the poor grass shall plot and plan
What it will do when it is man:
Quickened so, will I unlock
Every crypt of every rock.

I thank the joyful juice
For all I know;
Winds of remembering
Of the ancient being blow,
And seeming-solid walls ot use
Open and flow.

Pour, Bacchus, the remembering wine;
Retrieve the loss of me and mine;
Vine for vine be antidote,
And the grape requite the lot.
Haste to cure the old despair,
Reason in nature’s lotus drenched,
The memory of ages quenched;—
Give them again to shine.
Let wine repair what this undid,
And where the infection slid,
And dazzling memory revive.
Refresh the faded tints,
Recut the aged prints,
And write my old adventures, with the pen
Which, on the first day, drew
Upon the tablets blue
The dancing Pleiads, and the eternal men.

Current Tea: Valentine’s blend (black tea with chocolate and rosebuds)

Litany by Billy Collins

I really need to read more Billy Collins, but as I haven’t procured any books of his poems yet, here’s one I found online.

Litany
By Billy Collins

You are the bread and the knife,
The crystal goblet and the wine…
—Jacques Crickillon

You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.

However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.
There is just no way that you are the pine-scented air.

It is possible that you are the fish under the bridge,
maybe even the pigeon on the general’s head,
but you are not even close
to being the field of cornflowers at dusk.

And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.

It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.

I also happen to be the shooting star,
the evening paper blowing down an alley
and the basket of chestnuts on the kitchen table.

I am also the moon in the trees
and the blind woman’s tea cup.
But don’t worry, I’m not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and—somehow—the wine.

Current Tea: spicy chai (apparently the spicy components are proprietary)

His Lady’s Cruelty by Sir Philip Sidney

I’ll admit it; I chose this one for the title. Oh, the evil women who do nothing but torture poor innocent men for sport. HA!

His Lady’s Cruelty
By Sir Philip Sidney

With how sad steps, O moon, thou climb’st the skies!
How silently, and with how wan a face!
What! may it be that even in heavenly place
That busy archer his sharp arrows tries?
Sure, if that long-with-love-acquainted eyes
Can judge of love, thou feel’st a lover’s case:
I read it in thy looks; thy languish’d grace
To me, that feels the like, thy state descries.
Then, even of fellowship, O Moon, tell me,
Is constant love deem’d there but want of wit?
Are beauties there as proud as here they be?
Do they above love to be loved, and yet
Those lovers scorn whom that love doth possess?
Do they call ‘virtue’ there—ungratefulness?

A Painted Fan by Louise Chandler Moulton

I’ve only posted one of Moulton’s before, so here’s another.

A Painted Fan
By Louise Chandler Moulton

Roses and butterflies snared on a fan,
   All that is left of a summer gone by;
Of swift, bright wings that flashed in the sun,
   And loveliest blossoms that bloomed to die!

By what subtle spell did you lure them here,
   Fixing a beauty that will not change,—
Roses whose petals never will fall,
   Bright, swift wings that never will range?

Had you owned but the skill to snare as well
   The swift-winged hours that came and went,
To prison the words that in music died,
   And fix with a spell the heart’s content,

Then had you been of magicians the chief;
   And loved and lovers should bless your art,
If you could but have painted the soul of the thing,—
   Not the rose alone, but the rose’s heart!

Flown are those days with their winged delights,
   As the odor is gone from the summer rose;
Yet still, whenever I wave my fan,
   The soft, south wind of memory blows.

The Emperor of Ice-Cream by Wallace Stevens

Somehow I missed yesterday. I think I assumed I’d posted in the morning, but I hadn’t. Oops! Anyway, just under the wire, here’s one for today.

The Emperor of Ice-Cream
By Wallace Stevens

Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month’s newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.

Take from the dresser of deal,
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.

Autumnal Sonnet by William Allingham

I was in the mood for a sonnet.

Autumnal Sonnet
By William Allingham

Now Autumn’s fire burns slowly along the woods,
And day by day the dead leaves fall and melt,
And night by night the monitory blast
Wails in the key-hold, telling how it pass’d
O’er empty fields, or upland solitudes,
Or grim wide wave; and now the power is felt
Of melancholy, tenderer in its moods
Than any joy indulgent summer dealt.
Dear friends, together in the glimmering eve,
Pensive and glad, with tones that recognise
The soft invisible dew in each one’s eyes,
It may be, somewhat thus we shall have leave
To walk with memory,—when distant lies
Poor Earth, where we were wont to live and grieve.

Current Tea: winter dreams (black tea with chocolate flavoring and peppermint leaves)

In the Garden by Helena Coleman

This one makes me think of my mother, who is a Master Gardener.

In the Garden
By Helena Coleman

The roses blushed a deeper red,
   The lilies looked more saintly,
The sweet-alyssum hung its head,
   And smiled and frowned most quaintly;
The daisies even, at my feet,
Were strangely knowing, strangely sweet.

The hollyhocks against the wall,
   So serious and old-fashioned,
Were all astir, the larkspur tall
   Seemed really quite impassioned.
I pondered, but I could not guess
What made their sudden consciousness.

Where’er I looked, their little eyes
   Were eager, wise, and tender,
As if they had some new surprise
   Or sympathy to render;
But, turning round all unaware,
I saw that she was standing there!

Current Tea: Diva blend (Ceylon black tea with hints of hazelnut and chocolate)

The Crossing by Ruth Moose

I called on Ted Kooser to help me out today and I was delighted to come across this poem.

The Crossing
By Ruth Moose

The snail at the edge of the road
inches forward, a trim gray finger
of a fellow in pinstripe suit.
He’s burdened by his house
that has to follow
where he goes. Every inch,
he pulls together
all he is,
all he owns,
all he was given.

The road is wide
but he is called
by something
that knows him
on the other side.

Current Tea: Masala chai (Assam Indian black tea, cardamom, cinnamon, ginger and vanilla)

Red Hanrahan’s Song About Ireland by William Butler Yeats

Ah, Yeats, how I love thee!

Red Hanrahan’s Song About Ireland
By William Butler Yeats

The old brown thorn-trees break in two high over Cummen Strand,
Under a bitter black wind that blows from the left hand;
Our courage breaks like an old tree in a black wind and dies,
But we have hidden in our hearts the flame out of the eyes
Of Cathleen, the daughter of Houlihan.

The wind has bundled up the clouds high over Knock-narea,
And thrown the thunder on the stones for all that Maeve can say.
Angers that are like noisy clouds have set our hearts abeat;
But we have all bent low and low and kissed the quiet feet
Of Cathleen, the daughter of Houlihan.

The yellow pool has overflowed high up on Clooth-na-Bare,
For the wet winds are blowing out of the clinging air;
Like heavy flooded waters our bodies and our blood;
But purer than a tall candle before the Holy Rood
Is Cathleen, the daughter of Houlihan.

Home they brought her warrior dead by Alfred, Lord Tennyson


I haven’t posted anything by Tennyson in a while and this came up while I was searching for Celtic poetry. Naturally I took that as a sign that I should share it.

Home they brought her warrior dead
By Alfred, Lord Tennyson

Home they brought her warrior dead:
She nor swooned, nor uttered cry:
All her maidens, watching, said,
‘She must weep or she will die.’

Then they praised him, soft and low,
Called him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved.

Stole a maiden from her place,
Lightly to the warrior stepped,
Took the face-cloth from the face;
Yet she neither moved nor wept.

Rose a nurse of ninety years,
Set his child upon her knee—
Like summer tempest came her tears—
‘Sweet my child, I live for thee.’

Stony Grey Soil by Patrick Kavanagh

I’m off to the Austin Celtic Festival today, so here’s a poem by an Irishman.

Stony Grey Soil
By Patrick Kavanagh

O stony grey soil of Monaghan
The laugh from my love you thieved;
You took the the gay child of my passion
And gave me your clod-conceived.

You clogged the feet of my boyhood
And I believed that my stumble
Had the poise and stride of Apollo
And his voice my thick-tongued mumble.

You told me the plough was immortal!
O green-life-conquering plough!
Your mandril strained, your coulter blunted
In the smooth lea-field of my brow.

You sang on steaming dunghills
A song of coward’s brood,
You perfumed my clothes with weasel itch,
You fed me on swinish food.

You flung a ditch on my vision
Of beauty, love and truth.
O stony grey soil of Monaghan
You burgled my bank of youth!

Lost the long hours of pleasure
All the women that love young men.
O can I still stroke the monster’s back
Or write with unpoisoned pen

His name in these lonely verses
Or mention the dark fields where
The first gay flight of my lyric
Got caught in a peasant’s prayer.

Mullahinsha, Drummeril, Black Shanco—
Wherever I turn I see
In the stony grey soil of Monaghan
Dead loves that were born for me.

With Some Poets In Baltimore, 2003 by Steven Huff

Here’s another one from a poet scheduled to appear at my cousin’s bookstore this month. I snagged it from The Cortland Review.

With Some Poets In Baltimore, 2003
By Steven Huff

Only now in America could such a harbor
be empty of ships save
one moored permanently
and lighted for tourists, for our tips.
We walk by the water until the snow becomes heavy;
the poets are the ones who
come in from the weather
and drink in the bar, others out walking
are homeless. All of us
have lost loves, some lost families;
but the worst losses even poets are unable to name.
Our hands push money across the bar.
The seafood is from somewhere else,
not from this water, and never will be.
Some stay here forever and wait, some move
inland and try their luck. Others
simply wonder why things continue. Look,
the president is on the TV above the lobby
like a talking clock. You look
at your watch—you want to dispute the time.
And there’s always more news,
isn’t there? A rumor of war
means there is a war. There’s always
more harbor, rumor of harbor, always more dark.

The Love of Aurelia labiata by Karla Linn Merrifield

My cousin owns an awesome bookstore and I saw in her newsletter that a couple poets are doing events at the store this month. I found some poems online to share. This one is from seastories.com.

The Love of Aurelia labiata
Karla Linn Merrifield

So now is the time of high tide,
I am afraid; I will give in
just as the moon jellies do, be flung
inland in tidal marshes, returned on
the ebb of relief toward the west.

Here I go—flinging
myself into the seething brine
with millions of my kind,
for now my skin too is fragile,
my heart translucent,
my flesh pliable. Look,
you can see through me,
you, the high tide come now,
bidding me ever out to sea
and into the great Pacific Gyre.
See, here I go spiraling.

I am as a white angel among an abundance
of angels. But here we float, spin,
pulse, without the gravitas of hierarchy
among us. We are not of the earth,
we are not of the heavens,
we are of water like you, ephemeral.

And because you are the high tide,
I will swim again in you
as you sweep me from swirling current’s
edge inexorably toward shore, and
into the harbor where I must become
human once more, I am afraid.

Halloween by Robert Burns

Robert Burns is always difficult an adventure for me to read, but I thought this poem just had to be posted today. If you’d like some background and/or definitions, visit robertburns.org, where I snaked the poem. Also, check out last year’s Halloween poem because it’s awesome!

Halloween
By Robert Burns

Upon that night, when fairies light
On Cassilis Downans dance,
Or owre the lays, in splendid blaze,
On sprightly coursers prance;
Or for Colean the rout is ta’en,
Beneath the moon’s pale beams;
There, up the Cove, to stray an’ rove,
Amang the rocks and streams
To sport that night;

Amang the bonie winding banks,
Where Doon rins, wimplin, clear;
Where Bruce ance rul’d the martial ranks,
An’ shook his Carrick spear;
Some merry, friendly, countra-folks
Together did convene,
To burn their nits, an’ pou their stocks,
An’ haud their Halloween
Fu’ blythe that night.

The lasses feat, an’ cleanly neat,
Mair braw than when they’re fine;
Their faces blythe, fu’ sweetly kythe,
Hearts leal, an’ warm, an’ kin’:
The lads sae trig, wi’ wooer-babs
Weel-knotted on their garten;
Some unco blate, an’ some wi’ gabs
Gar lasses’ hearts gang startin
Whiles fast at night.

Then, first an’ foremost, thro’ the kail,
Their stocks maun a’ be sought ance;

They steek their een, and grape an’ wale
For muckle anes, an’ straught anes.
Poor hav’rel Will fell aff the drift,
An’ wandered thro’ the bow-kail,
An’ pou’t for want o’ better shift
A runt was like a sow-tail
Sae bow’t that night.

Then, straught or crooked, yird or nane,
They roar an’ cry a’ throu’ther;
The vera wee-things, toddlin, rin,
Wi’ stocks out owre their shouther:
An’ gif the custock’s sweet or sour,
Wi’ joctelegs they taste them;
Syne coziely, aboon the door,
Wi’ cannie care, they’ve plac’d them
To lie that night.

The lassies staw frae ‘mang them a’,
To pou their stalks o’ corn;
But Rab slips out, an’ jinks about,
Behint the muckle thorn:
He grippit Nelly hard and fast:
Loud skirl’d a’ the lasses;
But her tap-pickle maist was lost,
Whan kiutlin in the fause-house
Wi’ him that night.

The auld guid-wife’s weel-hoordit nits
Are round an’ round dividend,
An’ mony lads an’ lasses’ fates
Are there that night decided:
Some kindle couthie side by side,
And burn thegither trimly;
Some start awa wi’ saucy pride,
An’ jump out owre the chimlie
Fu’ high that night.

Jean slips in twa, wi’ tentie e’e;
Wha ’twas, she wadna tell;
But this is Jock, an’ this is me,
She says in to hersel’:
He bleez’d owre her, an’ she owre him,
As they wad never mair part:
Till fuff! he started up the lum,
An’ Jean had e’en a sair heart
To see’t that night.

Poor Willie, wi’ his bow-kail runt,
Was brunt wi’ primsie Mallie;
An’ Mary, nae doubt, took the drunt,
To be compar’d to Willie:
Mall’s nit lap out, wi’ pridefu’ fling,
An’ her ain fit, it brunt it;
While Willie lap, and swore by jing,
‘Twas just the way he wanted
To be that night.

Nell had the fause-house in her min’,
She pits hersel an’ Rob in;
In loving bleeze they sweetly join,
Till white in ase they’re sobbin:
Nell’s heart was dancin at the view;
She whisper’d Rob to leuk for’t:
Rob, stownlins, prie’d her bonie mou’,
Fu’ cozie in the neuk for’t,
Unseen that night.

But Merran sat behint their backs,
Her thoughts on Andrew Bell:
She lea’es them gashin at their cracks,
An’ slips out-by hersel’;
She thro’ the yard the nearest taks,
An’ for the kiln she goes then,
An’ darklins grapit for the bauks,
And in the blue-clue^9 throws then,
Right fear’t that night.

An’ ay she win’t, an’ ay she swat-
I wat she made nae jaukin;
Till something held within the pat,
Good Lord! but she was quaukin!
But whether ’twas the deil himsel,
Or whether ’twas a bauk-en’,
Or whether it was Andrew Bell,
She did na wait on talkin
To spier that night.

Wee Jenny to her graunie says,
“Will ye go wi’ me, graunie?
I’ll eat the apple at the glass,
I gat frae uncle Johnie:”
She fuff’t her pipe wi’ sic a lunt,
In wrath she was sae vap’rin,
She notic’t na an aizle brunt
Her braw, new, worset apron
Out thro’ that night.

“Ye little skelpie-limmer’s face!
I daur you try sic sportin,
As seek the foul thief ony place,
For him to spae your fortune:
Nae doubt but ye may get a sight!
Great cause ye hae to fear it;
For mony a ane has gotten a fright,
An’ liv’d an’ died deleerit,
On sic a night.

“Ae hairst afore the Sherra-moor,
I mind’t as weel’s yestreen-
I was a gilpey then, I’m sure
I was na past fyfteen:
The simmer had been cauld an’ wat,
An’ stuff was unco green;
An’ eye a rantin kirn we gat,
An’ just on Halloween
It fell that night.

“Our stibble-rig was Rab M’Graen,
A clever, sturdy fallow;
His sin gat Eppie Sim wi’ wean,
That lived in Achmacalla:
He gat hemp-seed, I mind it weel,
An’he made unco light o’t;
But mony a day was by himsel’,
He was sae sairly frighted
That vera night.”

Then up gat fechtin Jamie Fleck,
An’ he swoor by his conscience,
That he could saw hemp-seed a peck;
For it was a’ but nonsense:
The auld guidman raught down the pock,
An’ out a handfu’ gied him;
Syne bad him slip frae’ mang the folk,
Sometime when nae ane see’d him,
An’ try’t that night.

He marches thro’ amang the stacks,
Tho’ he was something sturtin;
The graip he for a harrow taks,
An’ haurls at his curpin:
And ev’ry now an’ then, he says,
“Hemp-seed I saw thee,
An’ her that is to be my lass
Come after me, an’ draw thee
As fast this night.”

He wistl’d up Lord Lennox’ March
To keep his courage cherry;
Altho’ his hair began to arch,
He was sae fley’d an’ eerie:
Till presently he hears a squeak,
An’ then a grane an’ gruntle;
He by his shouther gae a keek,
An’ tumbled wi’ a wintle
Out-owre that night.

He roar’d a horrid murder-shout,
In dreadfu’ desperation!
An’ young an’ auld come rinnin out,
An’ hear the sad narration:
He swoor ’twas hilchin Jean M’Craw,
Or crouchie Merran Humphie-
Till stop! she trotted thro’ them a’;
And wha was it but grumphie
Asteer that night!

Meg fain wad to the barn gaen,
To winn three wechts o’ naething;
But for to meet the deil her lane,
She pat but little faith in:

She gies the herd a pickle nits,
An’ twa red cheekit apples,
To watch, while for the barn she sets,
In hopes to see Tam Kipples
That vera night.

She turns the key wi’ cannie thraw,
An’owre the threshold ventures;
But first on Sawnie gies a ca’,
Syne baudly in she enters:
A ratton rattl’d up the wa’,
An’ she cry’d Lord preserve her!
An’ ran thro’ midden-hole an’ a’,
An’ pray’d wi’ zeal and fervour,
Fu’ fast that night.

They hoy’t out Will, wi’ sair advice;
They hecht him some fine braw ane;
It chanc’d the stack he faddom’t thrice
Was timmer-propt for thrawin:
He taks a swirlie auld moss-oak
For some black, grousome carlin;
An’ loot a winze, an’ drew a stroke,
Till skin in blypes cam haurlin
Aff’s nieves that night.

A wanton widow Leezie was,
As cantie as a kittlen;
But och! that night, amang the shaws,
She gat a fearfu’ settlin!
She thro’ the whins, an’ by the cairn,
An’ owre the hill gaed scrievin;
Whare three lairds’ lan’s met at a burn,
To dip her left sark-sleeve in,
Was bent that night.

Whiles owre a linn the burnie plays,
As thro’ the glen it wimpl’t;
Whiles round a rocky scar it strays,
Whiles in a wiel it dimpl’t;
Whiles glitter’d to the nightly rays,
Wi’ bickerin’, dancin’ dazzle;
Whiles cookit undeneath the braes,
Below the spreading hazel
Unseen that night.

Amang the brachens, on the brae,
Between her an’ the moon,
The deil, or else an outler quey,
Gat up an’ ga’e a croon:
Poor Leezie’s heart maist lap the hool;
Near lav’rock-height she jumpit,
But mist a fit, an’ in the pool
Out-owre the lugs she plumpit,
Wi’ a plunge that night.

In order, on the clean hearth-stane,
The luggies three are ranged;
An’ ev’ry time great care is ta’en
To see them duly changed:
Auld uncle John, wha wedlock’s joys
Sin’ Mar’s-year did desire,
Because he gat the toom dish thrice,
He heav’d them on the fire
In wrath that night.

Wi’ merry sangs, an’ friendly cracks,
I wat they did na weary;
And unco tales, an’ funnie jokes-
Their sports were cheap an’ cheery:
Till butter’d sowens, wi’ fragrant lunt,
Set a’ their gabs a-steerin;
Syne, wi’ a social glass o’ strunt,
They parted aff careerin
Fu’ blythe that night.

The Phoenix Again by May Sarton

It’s an interesting perspective that the phoenix might not want to keep being reborn. My favorite line is: No phoenix can be told,/This is the end of the song.

The Phoenix Again
By May Sarton

On the ashes of this nest
Love wove with deathly fire
The phoenix takes its rest
Forgetting all desire.

After the flame, a pause,
After the pain, rebirth.
Obeying nature’s laws
The phoenix goes to earth.

You cannot call it old
You cannot call it young.
No phoenix can be told,
This is the end of the song.

It struggles now alone
Against death and self-doubt,
But underneath the bone
The wings are pushing out.

And one cold starry night
Whatever your belief
The phoenix will take flight
Over the seas of grief

To sing her thrilling song
To stars and waves and sky
For neither old nor young
The phoenix does not die.

Instructions by Neil Gaiman

This one is also courtesy of Katie (because she’s awesome!).

From neilgaiman.net: Instructions: This is a poem about what to do if you find yourself in a Fairy Tale. It is guaranteed to work. If you find yourself in a Fairy Tale, and, despite following these instructions to the letter, you are eaten by wolves or lost, never to be seen again, the publisher will refund the cost of this CD.


Instructions
By Neil Gaiman

Touch the wooden gate in the wall you never saw before.
Say “please” before you open the latch,
go through,
walk down the path.
A red metal imp hangs from the green-painted front door,
as a knocker,
do not touch it; it will bite your fingers.
Walk through the house. Take nothing. Eat nothing.
However,
if any creature tells you that it hungers,
feed it.
If it tells you that it is dirty,
clean it.
If it cries to you that it hurts,
if you can,
ease its pain.

From the back garden you will be able to see the wild wood.
The deep well you walk past leads to winter’s realm;
there is another land at the bottom of it.
If you turn around here,
you can walk back safely;
you will lose no face. I will think no less of you.

Once through the garden you will be in the wood.
The trees are old. Eyes peer from the undergrowth.
Beneath a twisted oak sits an old woman. She may ask for something;
give it to her. She
will point the way to the castle.
Inside it are three princesses.
Do not trust the youngest. Walk on.
In the clearing beyond the caste the twelve months sit about a fire,
warming their feet, exchanging tales.
They may do favors for you, if you are polite.
You may pick strawberries in December’s frost.
Trust the wolves, but do not tell them where you are going.
The river can be crossed by the ferry. The ferry-man will take you.
(The answer to his question is this:
If he hands the oar to his passenger, he will be free to leave the boat.
Only tell him this from a safe distance.)

If an eagle gives you a feather, keep it safe.
Remember: that giants sleep too soundly; that
witches are often betrayed by their appetites;
dragons have one soft spot, somewhere, always;
hearts can be well-hidden,
and you betray them with your tongue.

Do not be jealous of your sister.
Know that diamonds and roses
are as uncomfortable when they tumble from one’s lips as toads and frogs:
colder, too, and sharper, and they cut.

Remember your name.
Do not lose hope—what you seek will be found.
Trust ghosts. Trust those that you have helped to help you in their turn.
Trust dreams.
Trust your heart, and trust your story.
When you come back, return the way you came.
Favors will be returned, debts be repaid.
Do not forget your manners.
Do not look back.
Ride the wise eagle (you shall not fall)
Ride the silver fish (you will not drown)
Ride the gray wolf (hold tightly to his fur).

There is a worm at the heart of the tower; that is why it will not stand.

When you reach the little house, the place your journey started,
you will recognize it, although it will seem much smaller than you remember.
Walk up the path, and through the garden gate you never saw but once.
And then go home. Or make a home.

Or rest.

Messenger by Mary Oliver

Thanks to Katie for sending this one along.

Messenger
By Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

Moon-Whales by Ted Hughes

I picked up Moon-Whales and Other Poems by Ted Hughes from the library after I learned of its existence (yay!) via Andrew Smith’s Moondust. Here’s the title poem.

Moon-Whales
By Ted Hughes

They plough through the moon stuff
Just under the surface
Lifting the moon’s skin
Like a muscle
But so slowly it seems like a lasting mountain
Breathing so rarely it seems like a volcano
Leaving a hole blasted in the moon’s skin

Sometimes they plunge deep
Under the moon’s plains
Making their magnetic way
Through the moon’s interior metals
Sending the astronaut’s instruments scatty.

Their music is immense
Each note hundreds of years long
Each complete tune a moon-age

So they sing to each other unending songs
As unmoving they move their immovable masses

Their closed eyes ecstatic

The Old Lizard by Federico García Lorca

This one’s for Katie, who introduced me to García Lorca. (I swiped it from here, translated by Lysander Kemp.)

The Old Lizard
By Federico García Lorca

In the parched path
I have seen the good lizard
(one drop of crocodile)
meditating.
With his green frock-coat
of an abbot of the devil,
his correct bearing
and his stiff collar,
he has the sad air
of an old professor.
Those faded eyes
of a broken artist,
how they watch the afternoon
in dismay!

Is this, my friend,
your twilight constitutional?
Please use your cane,
you are very old, Mr. Lizard,
and the children of the village
may startle you.
What are you seeking in the path,
my near-sighted philosopher,
if the wavering phantasm
of the parched afternoon
has broken the horizon?

Are you seeking the blue alms
of the moribund heaven?
A penny of a star?
Or perhaps
you’ve been reading a volume
of Lamartine, and you relish
the plateresque trills
of the birds?

(You watch the setting sun,
and your eyes shine,
oh, dragon of the frogs,
with a human radiance.
Ideas, gondolas without oars,
cross the shadowy
waters of your
burnt-out eyes.)

Have you come looking
for that lovely lady lizard,
green as the wheatfields
of May,
as the long locks
of sleeping pools,
who scorned you, and then
left you in your field?
Oh, sweet idyll, broken
among the sweet sedges!
But, live! What the devil!
I like you.
The motto “I oppose
the serpent” triumphs
in that grand double chin
of a Christian archbishop.

Now the sun has dissolved
in the cup of the mountains,
and the flocks
cloud the roadway.
It is the hour to depart:
leave the dry path
and your meditations.
You will have time
to look at the stars
when the worms are eating you
at their leisure.

Go home to your house
by the village, of the crickets!
Good night, my friend
Mr. Lizard!

Now the field is empty,
the mountains dim,
the roadway deserted.
Only, now and again,
a cuckoo sings in the darkness
of the poplar trees.

Poem in October by Dylan Thomas

Dylan Thomas was also mentioned in Returning to Earth and this one seemed appropriate to post today.

Poem in October
By Dylan Thomas

   It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
   And the mussel pooled and the heron
         Priested shore
      The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
      Myself to set foot
         That second
In the still sleeping town and set forth.

   My birthday began with the water—
Birds and the birds of the winged trees flying my name
   Above the farms and the white horses
         And I rose
      In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
      Over the border
         And the gates
Of the town closed as the town awoke.

   A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
   Blackbirds and the sun of October
         Summery
      On the hill’s shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
      To the rain wringing
         Wind blow cold
In the wood faraway under me.

   Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
   With its horns through mist and the castle
         Brown as owls
      But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
      There could I marvel
         My birthday
Away but the weather turned around.

   It turned away from the blithe country
And down the other air and the blue altered sky
   Streamed again a wonder of summer
         With apples
      Pears and red currants
And I saw in the turning so clearly a child’s
Forgotten mornings when he walked with his mother
      Through the parables
         Of sun light
And the legends of the green chapels

   And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
   These were the woods the river and sea
         Where a boy
      In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
      And the mystery
         Sang alive
Still in the water and singingbirds.

   And there could I marvel my birthday
Away but the weather turned around. And the true
   Joy of the long dead child sang burning
         In the sun.
      It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
      O may my heart’s truth
         Still be sung
On this high hill in a year’s turning.

You Will Hear Thunder by Anna Akhmatova

I just finished reading Returning to Earth by Jim Harrison and Akhmatova was mentioned therein.

You Will Hear Thunder
Anna Akhmatova

You will hear thunder and remember me,
And think: she wanted storms. The rim
Of the sky will be the colour of hard crimson,
And your heart, as it was then, will be on fire.

That day in Moscow, it will all come true,
when, for the last time, I take my leave,
And hasten to the heights that I have longed for,
Leaving my shadow still to be with you.

Emily Dickinson by Linda Pastan

Usually I’m annoyed when there just isn’t enough information about a person or subject (I just want to know some facts), but I kind of like the aura of mystique that shrouds Miss Emily. It’s likely we’ll never really know what went on in her head and I like Pastan’s separation of legend from personal opinion.

Emily Dickinson
By Linda Pastan

We think of hidden in a white dress
among the folded linens and sachets
of well-kept cupboards, or just out of sight
sending jellies and notes with no address
to all the wondering Amherst neighbors.
Eccentric as New England weather
the stiff wind of her mind, stinging or gentle,
blew two half imagined lovers off.
Yet legend won’t explain the sheer sanity
of vision, the serious mischief
of language, the economy of pain.

The Farewell by Edward Field

I’d previously posted a poem by Edward Field that I read in Celebrating America, so I went looking for another one. This was the only one I found online, and I (morbidly, as usual) like it.

The Farewell
By Edward Field

They say the ice will hold
so there I go,
forced to believe them by my act of trusting people,
stepping out on it,

and naturally it gaps open
and I, forced to carry on coolly
by my act of being imperturbable,
slide erectly into the water wearing my captain’s helmet,
waving to the shore with a sad smile,
“Goodbye my darlings, goodbye dear one,”
as the ice meets again over my head with a click.

A Way Around by Naomi Shihab Nye

I had a really wonderful conversation with a friend tonight and I wanted to post this poem because it fits with some of the things we discussed.

A Way Around
By Naomi Shihab Nye

Argument
is a room I won’t enter.
Some of us
would circle a whole house
not to enter it.

If you want to talk like that,
try a tree.
A tree is patient.
Don’t try me.

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