Archive for March, 2011

The Irish Volunteer by Joe English

I’ve been listening to David Kincaid’s fantastic album The Irish Volunteer, and I can’t get enough of it. Today’s selection is the title song, sung to the tune of The Irish Jaunting Car (or The Bonnie Blue Flag, as I’m familiar with). Check out more from the album here.

I’m going out of town until mid-next week, so it’s possible the PotD will be on hiatus until then.

The Irish Volunteer
By Joe English

My name is Tim McDonald, I’m a native of the Isle,
I was born among old Erin’s bogs when I was but a child.
My father fought in ” ‘Ninety-eight,” for liberty so dear;
He fell upon old Vinegar Hill, like an Irish volunteer.
Then raise the harp of Erin, boys, the flag we all revere—
We’ll fight and fall beneath its folds, like Irish volunteers!

When I was driven form my home by an oppressor’s hand,
I cut my sticks and greased my brogues, and came o’er to this land.
I found a home and many friends, and some that I love dear;
Be jabbers! I’ll stick to them like bricks and an Irish volunteer.
Then fill your glasses up, my boys, and drink a hearty cheer,
To the land of our adoption and the Irish volunteer!

Now when the traitors in the south commenced a warlike raid,
I quickly then laid down my hoe, to the devil went my spade!
To a recruiting-office then I went, that happened to be near,
And joined the good old “Sixty-ninth,” like an Irish volunteer.
Then fill the ranks and march away!—no traitors do we fear;
We’ll drive them all to blazes, says the Irish volunteer.

When the Prince of Wales came over here, and made a hubbaboo,
Oh, everybody turned out, you know, in gold and tinsel too;
But then the good old Sixty-ninth didn’t like these lords or peers—
They wouldn’t give a damn for kings, the Irish volunteers!
We love the land of Liberty, its laws we will revere,
“But the divil take nobility!” says the Irish volunteer!

Now if the traitors in the South should ever cross our roads,
We’ll drive them to the divil, as Saint Patrick did the toads;
We’ll give them all short nooses that come just below the ears,
Made strong and good of Irish hemp by Irish volunteers.
Then here’s to brave McClellan, whom the army now reveres—
He’ll lead us on to victory, the Irish volunteers.

Now fill your glasses up, my boys, a toast come drink with me,
May Erin’s Harp and the Starry Flag united ever be;
May traitors quake, and rebels shake, and tremble in their fears,
When next they meet the Yankee boys and Irish volunteers!
God bless the name of Washington! that name this land reveres;
Success to Meagher and Nugent, and their Irish volunteers!

Monotony by Constantine P. Cavafy

Well, this sure sums up how I’ve felt for much of this past winter. At present, the snow is melting, the temperature is rising, and the ground is muddy and covered with trash and snow mold (ew). Here’s hoping spring will penetrate the monotony and change things up! The text was taken from here.

Monotony
By Constantine P. Cavafy

One monotonous day is followed
by another monotonous, identical day. The same
things will happen, they will happen again—
the same moments find us and leave us.

A month passes and ushers in another month.
One easily guesses the coming events;
they are the boring ones of yesterday.
And the morrow ends up not resembling a morrow anymore.

When One Has Lived a Long Time Alone by Galway Kinnell

My poetry pal sent me the 10th stanza of this poem and I was intrigued so I Googled it. It would seem Garrison Keillor prefers stanza 11. Luckily, I found what I hope is the complete text here. The poem is from the book of the same title, which I’d like to read some time.

When One Has Lived a Long Time Alone
By Galway Kinnell

1

When one has lived a long time alone
one refrains from swatting the fly
and lets him go, and one hesitates to strike
the mosquito, though more than willing go slap
the flesh under her, and one lifts the toad
from the pit too deep for him to hop out of
and carries him to the grass, without minding
the toxic urine he slicks his body with,
and one envelops, in a towel, the swift
who fell down the chimney and knocks herself
against the window glass and releases her outside
and watches her fly free, a life line flung at reality,
when one has lived a long time alone.

2

When one has lived a long time alone,
one grabs the snake behind the head
and holds him until he stops trying to stick
the orange tongue, which splits at the end
into two black filaments and jumps out
like a fire-eater’s belches and has little
in common with the pimpled pink lump that shapes
sounds and sleeps inside the human mouth,
into one’s flesh, and clamps it between his jaws,
letting the gaudy tips show, as children do
when concentrating, and as very likely
one down oneself, without knowing it,
when one has lived a long time alone.

3

When one has lived a long time alone,
among regrets so immense the past occupies
nearly all the room there is in consciousness,
one notices in the snake’s eyes, which look back
without paying less attention to the future,
the first coating of the opaque milky-blue
leucoma snakes to get when about to throw
their skins and become new—meanwhile continuing,
of course, to grow old—the exact bleu passé
that discolors the corneas of the blue-eyed
when they lie back at last and look for heaven,
a blurring one can see means they will never find it,
when one has lived a long time alone.

4

When one has lived a long time alone,
one holds the snake near a loudspeaker disgorging
gorgeous sound and watches him crook
his forepart into four right angles
as though trying to slow down the music
flowing through him, in order to absorb it
the milk of paradise into the flesh,
and now a glimmering appears at his mouth,
such a drop of intense fluid as, among humans,
could form after long exiting at the tip
of the the penis, and as he straightens himself out
he has the pathos one finds in the penis,
when one has loved a long time alone.

5

When one has lived a long time alone,
one can fall to poring upon a creature,
contrasting its eternity’s-face to one’s own
full of hours, taking note of each difference,
exaggerating it, making it everything,
until the other is utterly other, and then,
with hard effort, possibly with tongue sticking out,
going back over each one once again
and cancelling it, seeing nothing now
but likeness, until… half an hour later
one starts awake, taken aback at how eagerly
one swoons into the happiness of kinship,
when one has lived a long time alone.

6

When one has lived a long time alone
and listens at morning to mourning doves
sound their kyrie eleison, or the small thing
spiritualizing onto one’s shoulder cry “pewit-phoebe!”
or peabody-sparrows at midday send schoolboys’
whistlings across the field, or at dusk, undamped,
unforgiving clinks, as from stonemasons’ chisels,
or on trees’ backs tree frogs scratch the thighs’
needfire awake, or from the frog pond pond frogs
raise their ave verum corpus—listens to those
who hop or fly call down upon us the mercy
of other tongues—one hears them as inner voices,
when one has lived a long time alone.

7

When one has lived a long time alone,
one knows only consciousness consummates,
and as the conscious one among these others
uttering compulsory cries of being here—
the least flycatcher witching up “che-bec,”
or redheaded woodpecker clanging out his
music from a metal drainpipe, or ruffed grouse
drumming “thump thrump thrump thrump-thrump-
thrump-thrump-rup-rup-rup-rup-rup-r-r-r-r-r-r”
through the trees, all of them in time’s
unfolding trying to cry themselves into self-knowing—
one knows one is here to hear them into shining,
when one has lived a long time alone.

8

When one has loved a long time alone,
one likes alike the pig, who brooks no deferment
of gratification, and the porcupine, or thorned pig,
who enters the cellar but not the house itself
because of eating down the cellar stairs on the way up,
and one likes the worm, who by bunching herself together
and expanding rubs her way through the ground,
no less than the butterfly, who totters full of worry
among the day-lilies, as they darken,
and more and more one finds one likes
any other species better than one’s own,
which has gone amok, making one self-estranged,
when one has lived a long time alone.

9

When one has lived a long time alone,
sour, misanthropic, one fits to one’s defiance
the satanic boast—It is better to reign
in hell than to submit on earth

and forgets one’s kind, as does the snake,
who has stopped trying to escape and moves
at ease across one’s body, slumping into its contours,
adopting its temperature, and abandons hope
of the sweetness of friendship or love
—before long can barely remember what they are—
and covets the stillness in organic matter,
in a self-dissolution one may not know how to halt,
when one has lived a long time alone.

10

When one has loved a long time alone,
and the hermit thrush calls and there is an answer,
and the bullfrog, head half out of water, remembers
the exact sexual cantillations of his first spring,
and the snake slides over the threshold and disappears
among the stones, one sees they all live
to mate with their kind, and one knows,
after a long time of solitude, after the many steps taken
away from one’s kind, toward the kingdom of strangers,
the hard prayer inside one’s own singing
is to come back, if one can, to one’s own,
a world almost lost, in the exile that deepens,
when one has lived a long time alone.

11

When one has lived a long time alone,
one wants to live again among men and women,
to return to that place where one’s ties with the human
broke, where the disquiet of death and now
also of history glimmers its firelight on faces,
where the gaze of the new baby looks past the gaze
of the great-granny, and where lovers speak,
on lips blowsy from kissing, that language
the same in each mouth, and like birds at daybreak
blether the song that is both earth’s and heaven’s,
until the sun has risen, and they stand
in a light of being united: kingdom come,
when one has lived a long time alone.

Pi by Wislawa Szymborska

Happy Pi Day! Because I’m a nerd I baked two pies to take to work and found a pi poem to post. 3.14159265358979323846264338327950288…

Pi
By Wislawa Szymborska

The admirable number pi:
three point one four one.
All the following digits are also just a start,
five nine two because it never ends.
It can’t be grasped, six five three five, at a glance,
eight nine, by calculation,
seven nine, through imagination,
or even three two three eight in jest, or by comparison
four six to anything
two six four three in the world.
The longest snake on earth ends at thirty-odd feet.
Same goes for fairy tale snakes, though they make it a little longer.
The caravan of digits that is pi
does not stop at the edge of the page,
but runs off the table and into the air,
over the wall, a leaf, a bird’s nest, the clouds, straight into the sky,
through all the bloatedness and bottomlessness.
Oh how short, all but mouse-like is the comet’s tail!
How frail is a ray of starlight, bending in any old space!
Meanwhile two three fifteen three hundred nineteen
my phone number your shirt size
the year nineteen hundred and seventy-three sixth floor
number of inhabitants sixty-five cents
hip measurement two fingers a charade and a code,
in which we find how blithe the trostle sings!
and please remain calm,
and heaven and earth shall pass away,
but not pi, that won’t happen,
it still has an okay five,
and quite a fine eight,
and all but final seven,
prodding and prodding a plodding eternity
to last.

The Aunts by Joyce Sutphen

This one comes from American Life in Poetry. I’m still feeling very special to be an aunt!

The Aunts
By Joyce Sutphen

I like it when they get together
and talk in voices that sound
like apple trees and grape vines,

and some of them wear hats
and go to Arizona in the winter,
and they all like to play cards.

They will always be the ones
who say “It is time to go now,”
even as we linger at the door,

or stand by the waiting cars, they
remember someone—an uncle we
never knew—and sigh, all

of them together, like wind
in the oak trees behind the farm
where they grew up—a place

I remember—especially
the hen house and the soft
clucking that filled the sunlit yard.

Infant Joy by William Blake

My sweet niece is 2 days old today, but she does have a name - Josephine Grace! This is from Songs of Innocence, as you may have guessed.

Infant Joy
By William Grace

“I have no name:
I am but two days old.”
What shall I call thee?
“I happy am,
Joy is my name.”
Sweet joy befall thee!

Pretty joy!
Sweet joy but two days old,
Sweet joy I call thee:
Thou dost smile,
I sing the while,
Sweet joy befall thee!

Listening by David Ignatow

This is another one found at The Poetry Foundation. I also want to highlight his previously posted For My Daughter.

Listening
By David Ignatow

You wept in your mother’s arms
and I knew that from then on
I was to forget myself.

Listening to your sobs,
I was resolved against my will
to do well by us
and so I said, without thinking,
in great panic, To do wrong
in one’s own judgment,
though others thrive by it,
is the right road to blessedness.
Not to submit to error
is in itself wrong
and pride.

Standing beside you,
I took an oath
to make your life simpler
by complicating mine
and what I always thought
would happen did:
I was lifted up in joy.

A Prayer for My Daughter by William Butler Yeats

Today I became an aunt, about which I am indescribably thrilled! I snagged this from The Poetry Foundation.

A Prayer for My Daughter
By William Butler Yeats

Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on. There is no obstacle
But Gregory’s Wood and one bare hill
Whereby the haystack and roof-levelling wind,
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.

I have walked and prayed for this young child an hour,
And heard the sea-wind scream upon the tower,
And under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come
Dancing to a frenzied drum
Out of the murderous innocence of the sea.

May she be granted beauty, and yet not
Beauty to make a stranger’s eye distraught,
Or hers before a looking-glass; for such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness, and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.

Helen, being chosen, found life flat and dull,
And later had much trouble from a fool;
While that great Queen that rose out of the spray,
Being fatherless, could have her way,
Yet chose a bandy-leggèd smith for man.
It’s certain that fine women eat
A crazy salad with their meat
Whereby the Horn of Plenty is undone.

In courtesy I’d have her chiefly learned;
Hearts are not had as a gift, but hearts are earned
By those that are not entirely beautiful.
Yet many, that have played the fool
For beauty’s very self, has charm made wise;
And many a poor man that has roved,
Loved and thought himself beloved,
From a glad kindness cannot take his eyes.

May she become a flourishing hidden tree,
That all her thoughts may like the linnet be,
And have no business but dispensing round
Their magnanimities of sound;
Nor but in merriment begin a chase,
Nor but in merriment a quarrel.
Oh, may she live like some green laurel
Rooted in one dear perpetual place.

My mind, because the minds that I have loved,
The sort of beauty that I have approved,
Prosper but little, has dried up of late,
Yet knows that to be choked with hate
May well be of all evil chances chief.
If there’s no hatred in a mind
Assault and battery of the wind
Can never tear the linnet from the leaf.

An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of Plenty’s horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?

Considering that, all hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is heaven’s will,
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy still.

And may her bridegroom bring her to a house
Where all’s accustomed, ceremonious;
For arrogance and hatred are the wares
Peddled in the thoroughfares.
How but in custom and in ceremony
Are innocence and beauty born?
Ceremony’s a name for the rich horn,
And custom for the spreading laurel tree.

Jasmine by Kyongjoo Hong Ryou

I recently got This Same Sky: A Collection of Poems from Around the World selected by Naomi Shihab Nye. No time to read it yet, but I randomly opened to this one from a South Korean poet.

Jasmine
By Kyongjoo Hong Ryou

Saturday evening grows
darker as the teapot
whistles. I get a mug,
humming, and breathe
the ancient scent,
faintly familiar.

Every summer we
gathered the young
jasmine leaves, while I sang
songs that I learned in school.
On sunny days, she spread
the leaves out in the back
yard where I sat and dreamt
the scent of long winter
nights beside the hot stove.
Immense warmth calms my throat

as I hear
what’s not there anymore.
Mama’s dead: someone else
is picking the leaves,
drinking my tea
in nights of winter.

Meeting and Passing by Robert Frost

My poetry pal sent me An Old Man’s Winter Night and I was all set to post it until I realized I already had. So I found another Frost instead. I get my Frost poems from here.

Meeting and Passing
By Robert Frost

As I went down the hill along the wall
There was a gate I had leaned at for the view
And had just turned from when I first saw you
As you came up the hill. We met. But all
We did that day was mingle great and small
Footprints in summer dust as if we drew
The figure of our being less that two
But more than one as yet. Your parasol
Pointed the decimal off with one deep thrust.
And all the time we talked you seemed to see
Something down there to smile at in the dust.
(Oh, it was without prejudice to me!)
Afterward I went past what you had passed
Before we met and you what I had passed.

The Middle of a War by Roy Fuller

A reader suggested this poem. The text was taken from here. P.S. A matelot is a sailor. I had no idea!

The Middle of a War
By Roy Fuller

My photograph already looks historic.
The promising youthful face, the matelot’s collar,
Say ‘This one is remembered for a lyric.
His place and period—nothing could be duller.’

Its position is already indicated—
The son or brother in the album; pained
The expression and the garments dated,
His fate so obviously preordained.

The original turns away: as horrible thoughts,
Loud fluttering aircraft slope above his head
At dusk. The ridiculous empires break like biscuits.
Ah, life has been abandoned by the boats—
Only the trodden island and the dead
Remain, and the once inestimable caskets.

The Rhythms Pronounce Themselves Then Vanish by Dean Young

A poetry buddy brought me the February 14 & 21, 2011 issue of The New Yorker for an article about George Eliot. I’m also pilfering this poem.

The Rhythms Pronounce Themselves Then Vanish
By Dean Young

After they told me the CT showed
there was nothing wrong with my stomach
but my heart was failing, I plunked
one of those weird two-dollar tea balls
I bought in Chinatown and it bobbed
and bloomed like a sea monster and tasted
like feet and I had at this huge
chocolate bar I got at Trader Joe’s
and didn’t answer the door even though
I could see it was UPS with the horse
medication and I thought of that picture
Patti took of me in an oval frame. Sweat
itself is odorless, composed of water,
sodium chloride, potassium salts,
and lactic acid; it’s the bacteria growing
on dead skin that provides the stench.
The average life span of a human taste bud
is seven to ten days. Nerve pulses
can travel up to a hundred and seventy miles per hour.
All information is useless.
The typical lightning bolt
is one inch wide and five miles long.

Not Only Fire by Wendy Brown-Báez

Too tired to think straight. Luckily, I have another one from my poetry pal.

Not Only Fire
By Wendy Brown-Báez

How did I emerge from your rib
the very one I slept against next
to your heartbeat, curled and certain.

How did you unfold me
like a paper flower on its long stem
petal by petal, bent back

into deepening color with each
press, until at last the surprised
mouth that did not know until this

moment how much it longed to
drink from yours, the fiery tongue
that tweaks my nerves into flame

those long rolled r’s filling
my senses with liquid joy.
How did you emerge out from my

small gesture of sympathy, the tears
I cupped to my heart like a string of
pearls, mine alone, out from the loss

of the oyster. How he moistened the grit
day by day in their underwater depths,
how I learned the way

to pry him open.

Salutation by Ezra Pound

I’m reading Books: A Memoir by Larry McMurtry, about his life as a bookman, and he told a story about a woman who had 400 letters from Ezra Pound. So I consulted The Voice That is Great Within Us and here we are…

Salutation
By Ezra Pound

O generation of the thoroughly smug
   and thoroughly uncomfortable,
I have seen fishermen picnicking in the sun,
I have seen them with untidy families,
I have seen their smiles full of teeth
   and heard ungainly laughter.
And I am happier than you are,
And they were happier than I am;
And the fish swim in the lake
   and do not even own clothing.

The Moon by Robert Creeley

Here’s another one from The Voice That is Great Within Us, which is remaining next to my laptop and bailing me out continually.

The Moon
By Robert Creeley

Earlier in the evening the moon
was clear to the east,
over the snow of the yard
and fields—a lovely

bright clarity and perfect
roundness, isolate,
riding as they say the
black sky. Then we went

about our businesses of the
evening, eating supper, talking,
watching television, then
going to bed, making love,

and then to sleep. But before
we did I asked her to look
out the window at the moon
now straight up, so that

she bent her head and looked
sharply up, to see it.
Through the night it must
have shone on, in that

fact of things—another
moon, another night—a
full moon in the winter’s
space, a white loneliness.

I came awake to the blue
white light in the darkness,
and felt as if someone
were there, waiting, alone.

The Secret of Backs by Dorianne Laux

My poetry pal sent this. For some reason I thought it was The Secret of Books and was confused until about the fourth stanza when I thought to look at the title again. (HA!) You can tell where my mind goes… The poem is from Laux’s The Book of Men.

The Secret of Backs
By Dorianne Laux

Heels of the shoes worn down, each
in its own way, sending signals to the spine.

The back of the knee as it folds and unfolds.
In winter the creases of American-made jeans:
blue denim seams worried to white threads.

And in summer, in spring, beneath the hems
of skirts, Bermudas, old bathing suit elastic,
the pleating and un-pleating of parchment skin.

And the dear, dear rears. Such variety! Such
choice in how to cover or reveal: belts looped high
or slung so low you can’t help but think of plumbers.

And the small of the back: dimpled or taut, spiny or not,
tattooed, butterflied, rosed, winged, whorled. Maybe
still pink from the needle and the ink. And shoulders,

broad or rolled, poking through braids, dreads, frothy
waterfalls of uncut hair, exposed to rain, snow, white
stars of dandruff, unbrushed flecks on a blue-black coat.

And the spiral near the top of the head—
peek of scalp, exquisite galaxy—as if the first breach
swirled each firmament away from that startled center.

Ah, but the best are the bald or the neatly shorn, revealing
the flanged, sun-flared, flamboyant backs of ears: secret
as the undersides of leaves, the flipside of flower petals.

And oh, the oh my nape of the neck. The up-swept oh my
nape of the neck. I could walk behind anyone and fall in love.

Don’t stop. Don’t turn around.

Less and Less Human, O Savage Spirit by Wallace Stevens

I read this one in The Voice That is Great Within Us, edited by Hayden Carruth.

Less and Less Human, O Savage Spirit
By Wallace Stevens

If there must be a god in the house, must be,
Saying things in the rooms and on the stair,

Let him move as the sunlight moves on the floor,
Or moonlight, silently, as Plato’s ghost

Or Aristotle’s skeleton. Let him hang out
His stars on the wall. He must dwell quietly.

He must be incapable of speaking, closed,
As those are: as light, for all its motion, is;

As color, even the closest to us, is;
As shapes, though they portend us, are.

It is the human that is the alien,
The human that has no cousin in the moon.

It is the human that demands his speech
From beasts or from the incommunicable mass.

If there must be a god in the house, let him be one
That will not hear us when we speak: a coolness,

A vermilioned nothingness, any stick of the mass
Of which we are too distantly a part.