Poem of the Day

Today’s poem was suggested by a reader.

Necromancy
AFTER THE PROSE OF BAUDELAIRE
By Alfred Noyes

This necromantic palace, dim and rich,
Dim as a dream, rich as a reverie,
I knew it all of old, surely I knew
This floating twilight tinged with rose and blue,
This moon-soft carven niche
Whence the calm marble, wan as memory,
Slopes to the wine-brimmed bath of cold dark fire
Perfumed with old regret and dead desire.

There the soul, slumbering in the purple waves
Of indolence, dreams of the phantom years,
Dreams of the wild sweet flower of red young lips
Meeting and murmuring in the dark eclipse
Of joy, where pain still craves
One tear of love to mingle with their tears,
One passionate welcome ere the wild farewell,
One flash of heaven across the fires of hell.

* * * * * * *

Queen of my dreams, queen of my pitiless dreams,
Dim idol, moulded of the wild white rose,
Coiled like a panther in that silken gloom
Of scented cushions, where the rich hushed room
Breaks into soft warm gleams,
As from her slumbrous clouds Queen Venus glows,
Slowly thine arms up-lift to me, thine eyes
Meet mine, without communion or surmise.

Here, at thy feet, I watched, I watched all day
Night floated in thine eyes, then with my hands
Covered my face from that dumb cry of pain:
And when at last I dared to look again
My heart was far away,
Wrapt in the fragrant gloom of Eastern lands,
Under the flower-white stars of tropic skies
Where soft black floating flowers turned to…thine eyes.

I breathe, I breathe the perfume of thine hair:
Bury in thy deep hair my fevered face,
Till as to men athirst in desert dreams
The savour and colour and sound of cool dark streams
Float round me everywhere,
And memories float from some forgotten place,
Fulfilling hopeless eyes with hopeless tears
And fleeting light of unforgotten years.

Dim clouds of music in the dim rich hours
Float to me thro’ the twilight of thine hair,
And sails like blossoms float o’er purple seas,
And under dark green skies the soft warm breeze
Washes dark fruit, dark flowers,
Dark tropic maidens in some island lair
Crouched on the warm sand nigh the creaming foam
To dream and sing their tawny lovers home.

Lost in the magic ocean of thine hair
I find the haven of the heart of song:
There tired ships rest against the pale red sky!
And yet again there comes a thin sad cry
And all the shining air
Fades, where the tall dark singing seamen throng
From many generations, many climes,
Fades, fades, as it has faded many times.

I hear the sweet cool whispering of the waves!
Drowned in the slumbrous billows of thine hair,
I dream as one that sinks thro’ passionate hours
In a strange ship’s wild fraughtage of dark flowers
Culled for pale poets’ graves;
And opiate odours load the empurpled air
That flows and droops, a dark resplendent pall
under the floating wreaths funereal.

Under the heavy midnight of thine hair
An alter flames with spices of the south
Burning my flesh and spirit in the flame;
Till, looking tow’rds the land from whence I came
I find no comfort there,
And all the darkness to my thirsty mouth
Is fire, but always and in every place
Blossoms the secret wonder of thy face.

* * * * * * *

The walls, the very walls are woven of dreams,
All undefined by blasphemies of art!
Here, pure from finite hues the very night
Conceives the mystic harmonies of light,
Delicious glooms and gleams;
And sorrow falls in rose-leaves on the heart,
And pain that yearns upon the passing hour
Is but a perfume haunting a dead flower.

Hark, as a hammer on a coffin falls
A knock upon the door! the colours wane,
The dreams vanish! And leave that foul white scar,
Tattoo’d with the dreadful marks, the old calendar
Blotching the blistered walls!
The winter whistles thro’ a shivered pane,
And scatters on the bare boards at my feet
These poor soiled manuscripts, torn, incomplete…

The scent of opium floats about my breath;
But Time resumes his dark and hideous reign;
And, with him, hideous memories troop, I know.
Hark, how the battered clock ticks, to and fro,—
Life, Death—Life, Death—Life, Death—
O fool to cry! O slave to bow to pain,
Coward to live thus tortured with desire
By demon nerves in hells of sensual fire.

Not exactly The Highwayman, but I like it.

The Elfin Artist
By Alfred Noyes

In a glade of an elfin forest
When Sussex was Eden-new,
I came on an elvish painter
And watched as his picture grew,
A harebell nodded beside him.
He dipt his brush in the dew.

And it might be the wild thyme round him
That shone in the dark strange ring;
But his brushes were bees’ antennae,
His knife was a wasp’s blue sting;
And his gorgeous exquisite palette
Was a butterfly’s fan-shaped wing.

And he mingled its powdery colours,
And painted the lights that pass,
On a delicate cobweb canvas
That gleamed like a magic glass,
And bloomed like a banner of elf-land,
Between two stalks of grass;

Till it shone like an angel’s feather
With sky-born opal and rose,
And gold from the foot of the rainbow,
And colours that no man knows;
And I laughed in the sweet May weather,
Because of the themes he chose.

For he painted the things that matter,
The tints that we all pass by,
Like the little blue wreaths of incense
That the wild thyme breathes to the sky;
Or the first white bud of the hawthorn,
And the light in a blackbird’s eye;

And the shadows on soft white cloud-peaks
That carolling skylarks throw,—
Dark dots on the slumbering splendours
That under the wild wings flow,
Wee shadows like violets trembling
On the unseen breasts of snow;

With petals too lovely for colour
That shake to the rapturous wings,
And grow as the bird draws near them,
And die as he mounts and sings,—
Ah, only those exquisite brushes
Could paint these marvellous things.

Since I’m currently reading Howard Pyle’s The Merry Adventures of Robin Hood (to kill time until Harry Potter and the Half-Blood Prince comes out…) here you go.

A Song of Sherwood
By Alfred Noyes

Sherwood in the twilight, is Robin Hood awake?
Grey and ghostly shadows are gliding through the brake,
Shadows of the dappled deer, dreaming of the morn,
Dreaming of a shadowy man that winds a shadowy horn.

Robin Hood is here again: all his merry thieves
Hear a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

Merry, merry England has kissed the lips of June:
All the wings of fairyland were here beneath the moon,
Like a flight of rose-leaves fluttering in a mist
Of opal and ruby and pearl and amethyst.

Merry, merry England is waking as of old,
With eyes of blither hazel and hair of brighter gold:
For Robin Hood is here again beneath the bursting spray
In Sherwood, in Sherwood, about the break of day.

Love is in the greenwood building him a house
Of wild rose and hawthorn and honeysuckle boughs:
Love is in the greenwood, dawn is in the skies,
And Marian is waiting with a glory in her eyes.

Hark! The dazzled laverock climbs the golden steep!
Marian is waiting: is Robin Hood asleep?
Round the fairy grass-rings frolic elf and fay,
In Sherwood, in Sherwood, about the break of day.

Oberon, Oberon, rake away the gold,
Rake away the red leaves, roll away the mould,
Rake away the gold leaves, roll away the red,
And wake Will Scarlet from his leafy forest bed.

Friar Tuck and Little John are riding down together
With quarter-staff and drinking-can and grey goose-feather.
The dead are coming back again, the years are rolled away
In Sherwood, in Sherwood, about the break of day.

Softly over Sherwood the south wind blows.
All the heart of England his in every rose
Hears across the greenwood the sunny whisper leap,
Sherwood in the red dawn, is Robin Hood asleep?

Hark, the voice of England wakes him as of old
And, shattering the silence with a cry of brighter gold
Bugles in the greenwood echo from the steep,
Sherwood in the red dawn, is Robin Hood asleep?

Where the deer are gliding down the shadowy glen
All across the glades of fern he calls his merry men—
Doublets of the Lincoln green glancing through the May
In Sherwood, in Sherwood, about the break of day—

Calls them and they answer: from aisles of oak and ash
Rings the Follow! Follow! and the boughs begin to crash,
The ferns begin to flutter and the flowers begin to fly,
And through the crimson dawning the robber band goes by.

Robin! Robin! Robin! All his merry thieves
Answer as the bugle-note shivers through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

I’m currently reading The Chronicles of Narnia by C.S. Lewis. I’ve made it through all but the last one (which I’m sure I’ll finish today). This poem kind of reminded me of Narnia because of the vivid descriptions of flora and fauna.

The Loom of Years
By Alfred Noyes

In the light of the silent stars that shine on the struggling sea,
In the weary cry of the wind and the whisper of flower and tree,
Under the breath of laughter, deep in the tide of tears,
I hear the Loom of the Weaver that weaves the Web of Years.

The leaves of the winter wither and sink in the forest mould
To colour the flowers of April with purple and white and gold:
Light and scent and music die and are born again
In the heart of a grey-haired woman who wakes in a world of pain.

The hound, the fawn, and the hawk, and the doves that croon and coo,
We are all one woof of the weaving and the one warp threads us through,
One flying cloud on the shuttle that carries our hopes and fears
As it goes thro’ the Loom of the Weaver that weaves the Web of Years.

The green uncrumpling fern and the rustling dewdrenched rose
Pass with our hearts to the Silence where the wings of music close,
Pass and pass to the Timeless that never a moment mars,
Pass and pass to the Darkness that made the suns and stars.

Has the soul gone out in the Darkness? Is the dust sealed from sight?
Ah, hush, for the woof of the ages returns thro’ the warp of the night!
Never that shuttle loses one thread of our hopes and fears,
As it comes thro’ the Loom of the Weaver that weaves the Web of Years.

O, woven in one wide Loom thro’ the throbbing weft of the whole,
One in spirit and flesh, one in body and soul,
Tho’ the leaf were alone in its falling, the bird in its hour to die,
The heart in its muffled anguish, the sea in its mournful cry,

One with the flower of a day, one with the withered moon
One with the granite mountains that melt into the noon
One with the dream that triumphs beyond the light of the spheres,
We come from the Loom of the Weaver that weaves the Web of Years.

This is one of my favorite poems ever. I read this for the fourth grade class for which I volunteered. They loved it! It’s a bit graphic for 9- and 10-year-olds, but they were quite involved with it. The teacher had to leave partway through my reading, and they were getting so worked up while she was gone that I was slightly concerned. When she came back they were all excited and she asked what had happened. They insisted I read it again! (I loved those kids!)

Anyway, this also reminds me of Anne of Green Gables, which I love, as well as Loreena McKennitt’s fantastic song! (Imagine how not surprised I was to find out that Heather adores Loreena McKennitt, too! We’re practically the same person!)

The Highwayman
By Alfred Noyes

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight, over the purple moor,
And the highwayman came riding—
            Riding—riding—
The highwayman came riding, up to the old inn-door.

He’d a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
            His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
            Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord’s daughter,
            The landlord’s red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say—

“One kiss, my bonny sweetheart, I’m after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
            Watch for me by moonlight,
I’ll come to thee by moonlight, though hell should bar the way.”

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i’ the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
            (Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.

He did not come in the dawning; he did not come at noon;
And out o’ the tawny sunset, before the rise o’ the moon,
When the road was a gipsy’s ribbon, looping the purple moor,
A red-coat troop came marching—
            Marching—marching—
King George’s men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
            And hell at one dark window;
For Bess could see, through the casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They bound a musket beside her, with the barrel beneath her breast!
“Now keep good watch!” and they kissed her.
She heard the dead man say—
            Look for me by moonlight;
            Watch for me by moonlight;
I’ll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!
She writhed her hands till here fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
            Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
            Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love’s refrain.

Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
            Riding, riding!
The red-coats looked to their priming! She stood up straight and still!

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
            Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death.

He turned; he spurred to the West; he did not know who stood
Bowed, with her head o’er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord’s daughter,
            The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i’ the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
            Down like a dog on the highway,
And he lay in his blood on the highway, with a bunch of lace at his throat.

And still of a winter’s night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
            Riding—riding—
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard,
And he taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
            Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.