Poem of the Woodcarver
By Chuang Tzu

Khing, the master carver, made a bell stand
Of precious wood. When it was finished,
All who saw it were astounded. They said it must be
The work of spirits.
The Prince of Lu said to the master carver:
“What is your secret?”

Khing replied: “I am only a workman:
I have no secret. There is only this:
When I began to think about the work you commanded
I guarded my spirit, did not expend it
On trifles, that were not to the point.
I fasted in order to set
My heart at rest.
After three days fasting,
I had forgotten gain and success.
After five days
I had forgotten praise or criticism.
After seven days
I had forgotten my body
With all its limbs.

“By this time all thought of your Highness
And of the court had faded away.
All that might distract me from the work
Had vanished.
I was collected in the single thought
Of the bell stand.

“Then I went to the forest
To see the trees in their own natural state.
When the right tree appeared before my eyes,
The bell stand also appeared in it, clearly, beyond doubt.
All I had to do was to put forth my hand
and begin.

“If I had not met this particular tree
There would have been
No bell stand at all.

“What happened?
My own collected thought
Encountered the hidden potential in the wood;
From this live encounter came the work
Which you ascribe to the spirits.”

Buried Life
By James Longenbach

Imagine cities you’ve
Inhabited, streets
Paved in lava stone.
You never intended to pray

In the temples, had
Nothing to sell.
Now imagine yourself

Returning to those same cities.
Hunt for people you knew,
Knock on their doors.
Ask yourself

Where are the vases, animals
Etched in gold?
Where are the wines

From distant places,
Banquets ferreted
From the bowels of the earth?
While you were missing

Other people wore
Your garments,
Slept in your bed.

How frightening
The man who said
In his affliction

Wood has hope.
Cut down
It will flourish.

If the root grows old
And the trunk withers
In dust, at the scent of water
It will germinate.

Don’t Come Home
By Todd Boss

ranks first among
the worst things
someone you love
can say. Not even
the common I
hate you does
the damage Don’t
come home will
do. You can live
with I hate you,
same as you live
with the past.
You abide it. I
hate you in fact
can be worth
coming home to,
like anything built
to last. I hate you
may be the mythical
two in the bush
the bird in the hand
is worth, while
Don’t come home,
by contrast, is
that first bird,
caught bird, scared
to sing its song,
percussive wings
held fist-fast just
so long.

Altruism
By Molly Peacock

What if we got outside ourselves and there
really was an outside out there, not just
our insides turned inside out? What if there
really were a you beyond me, not just
the waves off my own fire, like those waves off
the backyard grill you can see the next yard through,
though not well—just enough to know that off
to the right belongs to someone else, not you.
What if, when we said I love you, there were
a you to love as there is a yard beyond
to walk past the grill and get to? To endure
the endless walk through the self, knowing through a bond
that has no basis (for ourselves are all we know)
is altruism: not giving, but coming to know
someone is there through the wavy vision
of the self’s heat, love become a decision.

A Blessing for a Wedding
By Jane Hirshfield

Today when persimmons ripen
Today when fox-kits come out of their den into snow
Today when the spotted egg releases its wren song
Today when the maple sets down its red leaves
Today when windows keep their promise to open
Today when fire keeps its promise to warm
Today when someone you love has died
   or someone you never met has died
Today when someone you love has been born
   or someone you will not meet has been born
Today when rain leaps to the waiting of roots in their dryness
Today when starlight bends to the roofs of the hungry and tired
Today when someone sits long inside his last sorrow
Today when someone steps into the heat of her first embrace
Today, let this light bless you
With these friends let it bless you
With snow-scent and lavender bless you
Let the vow of this day keep itself wildly and wholly
Spoken and silent, surprise you inside your ears
Sleeping and waking, unfold itself inside your eyes
Let its fierceness and tenderness hold you
Let its vastness be undisguised in all your days

Lament for Culloden
By Robert Burns

The lovely lass o’ Inverness,
   Nae joy nor pleasure can she see;
For e’en and morn she cries, ‘Alas!’
   And aye the saut tear blin’s her e’e:

‘Drumossie moor—Drumossie day—
   A waefu’ day it was to me!
For there I lost my father dear,
   My father dear and brethren three.

‘Their winding-sheet the bluidy clay,
   Their graves are growing green to see;
And by them lies the dearest lad
   That ever blest a woman’s e’e!

Now wae to thee, thou cruel lord,
   A bluidy man I trow thou be;
For mony a heart thou hast made sair,
   That ne’er did wrang to thine or thee.’

Colors passing through us
By Marge Piercy

Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.

Every day I will give you a color,
like a new flower in a bud vase
on your desk. Every day
I will paint you, as women
color each other with henna
on hands and on feet.

Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor
their weight bending the wood
the red of the syrup I make from petals.

Orange as the perfumed fruit
hanging their globes on the glossy tree,
orange as pumpkins in the field,
orange as butterflyweed and the monarchs
who come to eat it, orange as my
cat running lithe through the high grass.

Yellow as a goat’s wise and wicked eyes,
yellow as a hill of daffodils,
yellow as dandelions by the highway,
yellow as butter and egg yolks,
yellow as a school bus stopping you,
yellow as a slicker in a downpour.

Here is my bouquet, here is a sing
song of all the things you make
me think of, here is oblique
praise for the height and depth
of you and the width too.
Here is my box of new crayons at your feet.

Green as mint jelly, green
as a frog on a lily pad twanging,
the green of cos lettuce upright
about to bolt into opulent towers,
green as Grand Chartreuse in a clear
glass, green as wine bottles.

Blue as cornflowers, delphiniums,
bachelors’ buttons. Blue as Roquefort,
blue as Saga. Blue as still water.
Blue as the eyes of a Siamese cat.
Blue as shadows on new snow, as a spring
azure sipping from a puddle on the blacktop.

Cobalt as the midnight sky
when day has gone without a trace
and we lie in each other’s arms
eyes shut and fingers open
and all the colors of the world
pass through our bodies like strings of fire.

Skunk Hour
By Robert Lowell

        (For Elizabeth Bishop)

Nautilus Island’s hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son’s a bishop. Her farmer
is first selectman in our village;
she’s in her dotage.

Thirsting for
the hierarchic privacy
of Queen Victoria’s century,
she buys up all
the eyesores facing her shore,
and lets them fall.

The season’s ill—
we’ve lost our summer millionaire,
who seemed to leap from an L. L. Bean
catalogue. His nine-knot yawl
was auctioned off to lobstermen.
A red fox stain covers Blue Hill.

And now our fairy
decorator brightens his shop for fall;
his fishnet’s filled with orange cork,
orange, his cobbler’s bench and awl;
there is no money in his work,
he’d rather marry.

One dark night,
my Tudor Ford climbed the hill’s skull;
I watched for love-cars. Lights turned down,
they lay together, hull to hull,
where the graveyard shelves on the town. . . .
My mind’s not right.

A car radio bleats,
“Love, O careless Love. . . .” I hear
my ill-spirit sob in each blood cell,
as if my hand were at its throat. . . .
I myself am hell;
nobody’s here—

only skunks, that search
in the moonlight for a bite to eat.
They march on their soles up Main Street:
white stripes, moonstruck eyes’ red fire
under the chalk-dry and spar spire
of the Trinitarian Church.

I stand on top
of our back steps and breathe the rich air—
a mother skunk with her column of kittens swills the garbage pail
She jabs her wedge-head in a cup
of sour cream, drops her ostrich tail,
and will not scare.

Passing Remark
By William Stafford

In scenery I like flat country.
In life I don’t like much to happen.

In personalities I like mild colorless people.
And in colors I prefer gray and brown.

My wife, a vivid girl from the mountains,
says, “Then why did you choose me?”

Mildly I lower my brown eyes—
there are so many things admirable people do not understand.

Love Poem With Toast
By Miller Williams

Some of what we do, we do
to make things happen,
the alarm to wake us up, the coffee to perc,
the car to start.

The rest of what we do, we do
trying to keep something from doing something,
the skin from aging, the hoe from rusting,
the truth from getting out.

With yes and no like the poles of a battery
powering our passage through the days,
we move, as we call it, forward,
wanting to be wanted,
wanting not to lose the rain forest,
wanting the water to boil,
wanting not to have cancer,
wanting to be home by dark,
wanting not to run out of gas,

as each of us wants the other
watching at the end,
as both want not to leave the other alone,
as wanting to love beyond this meat and bone,
we gaze across breakfast and pretend.